THE cumulative labours of Vanbrugh and 'Capability' Brown have succeeded at Blenheim in setting an Italian palace in an English park without apparent incongruity. The combination of these different ideas, each singly attractive, produces a remarkable effect. The palace is severe in its symmetry and completeness. Nothing has been added to the original plan; nothing has been taken away. The approaches are formal; the wings are balanced; four equal towers maintain its corners; and the fantastic ornaments of one side are elaborately matched on the other. Natural simplicity and even confusion are, on the contrary, the characteristic of the park and gardens. Instead of that arrangement of gravel paths, of geometrical flower-beds, and of yews disciplined with grotesque exactness which the character of the house would seem to suggest, there spreads a rich and varied landscape. Green lawns and shining water, banks of laurel and fern, groves of oak and cedar, fountains and islands, are conjoined in artful disarray to offer on every side a promise of rest and shade. And yet there is no violent contrast, no abrupt dividing-line between the wildness and freshness of the garden and the pomp of the architecture.
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