Complete Recordings Louie & the Lovers Primary Artist
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Louie & the Lovers' Rise is a legendary album, at least among hardcore record collectors. It's the kind of record that is heard of more than heard -- the kind of record rumored about in collectors' circles, as evidenced by R.E.M. guitarist {|Peter Buck|} impressing author {|Brett Milano|} in his ode to record collectors, Vinyl Junkies, the kind of record that fetches absurd prices when actually found in specialty shops or record conventions. Rise gathered such attention for a few reasons. First of all, it was genuinely rare, released briefly on Epic Records in 1970, but it received little attention and sold only a handful of copies. Second, the album was produced by Texas cult hero Doug Sahm, whose dedicated following collects anything he recorded. Third, the band simply has a great story: they were a teenage Mexican-American garage band, inspired greatly by Creedence Clearwater Revival and, to a lesser extent, the Byrds, and were still in high school and playing sets of all-original material when they gained the attention of Sahm and Epic, leading to this one album. Finally, the music is really, really good, a fresh and unpredictable blend of Byrdsian jangle and psychedelia, CCR-styled choogling boogie, Texas blues, Mexican tradition, old-fashioned teen-beat rock & roll,and a sense of popcraft learned from {|the Beatles|}. It's easy to see why Sahm went crazy for this band -- they share a similar pan-cultural sensibility, blurring lines between different musical styles not just over the course of an album, but within a song, and it's done out of a natural love, not a self-conscious exercise in genre-hopping. Not that {|Louie & the Lovers|} sounds much like the {|Sir Douglas Quintet|}; they arrive at a similar place by reinterpreting shared influences and following a similarly big-hearted, relaxed, and rocking vision. In many places, Rise does sound more dated than any Sahm project outside of Sir Douglas Quintet + 2 = Honkey Blues due to its mild trippiness (largely borrowed from the Byrds, in both harmonies and ringing guitars), but that element is offset by the group's supple musicality -- you would never guess they were teenagers -- and the uniformly strong songwriting of leader {|Louie Ortega|}, who pens memorable songs in a variety of styles from the rolling, countryish I Know You Know and the surging title track, to the roadhouse boogie of Rock Me Baby and the backwoods stomp of Sittin' by Your River. These are songs that sound both fresh and familiar upon first listen and become more impressive with each spin -- precisely the kind of music that becomes a legend among fanatical record collectors. Trumping Acadia's 2003 reissue of Rise, Bear Family released {|The Complete Recordings|} in 2009, containing the entirety of the LP plus two of the bonus tracks that appeared on the Acadia disc -- the group's last Epic single, Little Georgie Baker/Tomorrow Just Might Change (the Sahm-related single by Rocky & the Border Kings, Michoacan/Gulf of Mexico was on the Acadia issue, but not here) -- and unearths a whopping 13 unreleased tracks. Although there are a couple of cuts that don't quite seem finished, and the cover of El Paso is a little ragged, all this unheard material maintains the staggeringly high quality of Louie & the Lovers' LP, with the rollicking Caribbean, breezy We Don't Have to Change, and horn-spiked Spread Some Love Around calling special notice to themselves.


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