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December 19, 2003
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December 6, 2003
Broken Social Scene's You Forgot It In People
Pros: Flawlessly Produced, Excellent Musicianship, Wonderfully Atmospheric, Inspired, and Imaginative
Cons: Becomes slightly inconsistent and scattered towards the end
2003 should be revered as one of the greatest years for music; It was a year of innovation and music at it's emotional peak. Instead, it will likely be seen as the year that The Strokes sucked, Beyonce hit it big solo, The White Stripes recieved grammy acknowledgement, and "hey ya" (deservingly) became the most phenomenal radio hit of the year.
For those who yearned for and found something more in '03, there are some of music's most essential recordings: "the meadowlands" by the wrens, "dead cites, red seas, and lost ghosts" by m83, "boy in da corner" by dizzee rascal, and of course, "you forgot it in people" by broken social scene.
Simply put, this album is one of such staggering beauty and emotional resonance and imagery that one wonders what the big deal about minimalism was in the first place, for every instrument defines an emotion, every member is as significant as the next, and every note becomes part of something so massive that nothing but the feeling you get from it holds relevance. Notably, the magnificently inspired "Pacific Theme" produces vivid summer imagery while, in "Stars And Sons", incessant guitars build intensely over anxious handclaps and eventually disintegrate into mechanical noise like clockwork.
So here i stand in awe alongside few others, for I have witnessed music at one of its notable peaks. ... -
November 26, 2003
Untitled
Pros: Slightly Different from Is This It, A Few Good Songs, "12:51" is their most accessible sounding single to date
Cons: Regression from Is This It, No Standout Tracks that match or surpass Is This It's best moments
The immediate reaction is dissapointment, and while Room On Fire falls dramatically short of Is This It, about half of the album is reasonably strong; Songs like "12:51", "Under Control", and "The End Has No End" all suggest The Strokes are, slowly but surely, expanding their sound. The other half is painfully mundane, however, sounding uninspired and lacking the fantastically infectious hooks that made Is This It a true classic. "You Talk Way Too Much" and "Reptilia", unlike most of Is This It, are far from compelling.
I'm willing to bet The Strokes are capable of rivalling or even surpassing their astonishing debut, they just need to work harder. ... -
October 6, 2003
Jagged Little Pill/ 3.5
0 of 1 Yahoo! Users found this review helpfulPros: Lyrics, 2 or 3 amazing songs
Cons: Most tracks are very bland
To my memory, this was my first cd purchase. I was 10, and for me, this was a first glimpse into an artist of unrestrained honesty. Her songs were far from goundbreaking musically, but songs like "you learn" and "hand in my pocket" possessed good enough hooks to be intriguing and instantly likable. In many ways, this album was a first step into my obesession with music, a gateway if you will, so, in that respect, it has pretty deep personal meaning. Sadly, a few songs are victims of mundanity, providing even less pleasure than they did upon first listen 8 years ago. Although some songs are nearly deserving of the coveted "classic" label, many are just too ordinary to enjoy. ...
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May 11, 2003
smiths
lyrically, this is the best album of its time. it contains some of the most memorable melodies ever to be recorded. by far, this is the best album of the 1980s. ... -
May 11, 2003
yeah yeah yeahs
2 of 5 Yahoo! Users found this review helpful this is a very promising. there are a few i could do without, but the better tracks- pin, tick, y-control, rich are amazing. The albums gem, though is maps, one of the best rock songs to be released in the past year. ... -
February 15, 2003
This is a review of White Blood Cells
1 of 1 Yahoo! Users found this review helpful Leave it to the White Stripes to make an album that extends longer than it should, one that would otherwise be an ultrafantastically great album- essential even!
...No, just unltrafantastical
This album will undoubtedly been seen as the band's best- for christ sake, its what Nevermind was to Nirvana, in a sense at least.
White Stripes' first album contains some of the bands best, most ferocious and uninhibited guitar work. Its the closest record they've made that sounds like a live set. However, aside from the albums 4 or 5 amazing tracks, the rest is... umm.... boring. White Blood Cells suffers a similar flaw, not knowing when to stop. The whole minimalist thing they have down is the most frustrating aspect of the record, in fact, it is when they stray from than formula that they pen down some Stripes' classics ("We're Going To Be Friends", "Fell In Love With A Girl", "This Protector", "Little Room") The whole grunge loud-quiet thing is way over used in this album.
With this tracklisting,
"Dead Leaves And The Dirty Ground"
"Hotel Yorba"
"I'm Finding It Harder To Be A Gentleman"
"Fell In Love With A Girl"
"Expecting"
"Little Room"
"Union Forever"
"We're Going To Be Friends"
"Aluminum"
"I Can Learn"
"This Protector"
excluding the album's other 5 songs, the album would definitely be considered an essential in my eyes ... -
February 9, 2003
This is a review of Source Tags & Codes
Most band's create the facade of being passionate. And You Will Know Us By The Trail of Dead is sincere. -
February 9, 2003
This is a review of Vespertine
This is one of the most intimate recordings I have ever heard, write alongside Daniel Johnston's "Hi, How Are You?". Its amazing. -
February 9, 2003
this is a review of Beautiful
yes, her voice is tremendous, and yes, this song may reveal Christina Aguilera as more matured young woman, but it seems insincere. Not to mention it gets old really fast. The video is good though, very daring for a pop star. ...
Untitled
Pros: Atmospheric; Mixes Organic with Synthetic Sounds flawlessly; Beautifully Produced, Innovative
Cons: Slightly Repetitive
In fear of being redundant and unconvincing, my feelings towards M83's "Dead Cities, Red Seas, And Lost Ghosts" could best be verbalized through this brief excerpt, written by pitchfork reviewer Matt LeMay.
"An album like this extends far beyond your speakers, guiding you through an impossibly rich, detailed world of sound while also giving you room to explore it yourself; you don't listen to Dead Cities, Red Seas & Lost Ghosts, you inhabit it." ...