All Music Guide
European law limits copyrights on recordings to 50 years, whether the recordings were made in Europe or not, which means that, for example, Woody Guthrie's recordings, made in the U.S. in the 1940s, are all in the public domain (although they continue to be claimed by American record companies). A whole host of European reissue labels exist solely for the purpose of exploiting this anomaly by assembling unlicensed albums by vintage artists mastered from old vinyl records or even current CDs. These albums range from poorly compiled and annotated ripoffs to more scholarly and thorough efforts. Britain's Proper Records leans toward the high end, putting together box sets with extensive booklets, and that's the approach the label has taken with its Guthrie collection Some Folk. In terms of length, only the legitimate album The Asch Recordings, Vol. 14 (Smithsonian Folkways) is in the class of this fourCD set, which contains 99 tracks and runs four hours and 42 minutes. Compiler/annotator A...dam Komorowski has taken a simple chronological approach. The first disc is an abridged version of the threedisc set The Library of Congress Recordings that cuts out most of the spoken material in favor of the music. The second disc begins with the tracks from the Dust Bowl Ballads album and continues by copying the contents of The Columbia River Collection. That concludes at the start of the third disc, followed by four tracks with the Almanac Singers (one of which, "The Dodger Song," features Lee Hays on lead vocals, with Guthrie buried in the chorus), and then the rest of the third disc and all of the fourth contain excerpts from Guthrie's large catalog of casually recorded folk songs done for record company owner Moses Asch in the mid1940s. (Among these, "Sowing on the Mountain" features Cisco Houston on lead vocals, with Guthrie singing harmony, and the version of "Sinking of the Reuben James" is actually the Almanac Singers version, with Pete Seeger on lead vocals; although Guthrie cowrote the song, he isn't present on the track.) It's a straightforward approach, but there are reasons nobody else has done it this way. Guthrie recorded his sessions for the Library of Congress in March 1940 and made the Dust Bowl Ballads recordings for RCA Victor Records in April and May of the same year. Not surprisingly, he performed many of the same songs: "Dust Storm Disaster" (a/k/a "The Great Dust Storm"), "Talking Dust Bowl Blues," "Pretty Boy Floyd," "So Long It's Been Good to Know You" (a/k/a "Dusty Old Dust"), "DoReMi," "Dust Bowl Refugee," "I Ain't Got No Home," and "Dust Pneumonia Blues." So, all those songs get repeated within the first two discs of this collection. And they aren't the only songs that turn up multiple times. "I Ride an Old Paint" (a/k/a "Ride Around Little Doggies)," "Ramblin' Round," "Worried Man Blues" (a/k/a "It Takes a Worried Man to Sing a Worried Song"), and "New Found Land" are all here twice, and "The Biggest Thing That Man Has Ever Done" turns up three times, two of them the exact same recording. This would be less troubling if the set didn't omit some of Guthrie's important work. Except for "Ship in the Sky" (which is actually more of a World War II number), none of his children's songs appear. Ballads of Sacco Vanzetti goes unrepresented. And (one can only hope the reader is sitting down) "This Land Is Your Land" is nowhere to be found. That's right: three spots for "The Greatest Thing That Man Has Ever Done," but none for Guthrie's most famous song. This, then, is a collection that appears thorough and comprehensive at first glance, but proves not to be upon examination. The same thing is true of Komorowski's liner notes, which take up most of the 48page booklet. They are long, but an actual reading of them reveals that they are a rehash of information found in Joe Klein's biography Woody Guthrie: A Life, written in stilted prose sprinkled with typos, grammatical mistakes, and factual errors. - William Ruhlmann, All Music Guide Read more Less
