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Bernard Herrmann - Wuthering Heights (CD)

Wuthering Heights
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Album Details: Wuthering Heights

Release Date:01/01/1966
Label:Unicorn
UPC:053068205023

Track List: Wuthering Heights

Disk 1

  1. Prologue: Intro
  2. Prologue; Lockwood: 'Wuthering H...
  3. Prologue; Lockwood: 'Snow, everl...
  4. Prologue; Lockwood: 'Catherine E...
  5. Prologue; Heathcliff: 'Is anyone...
  6. Act 1, Scene 1: Intro
  7. Act 1, Scene 1: 'I have been wan...
  8. Act 1, Scene 1: 'Look, Cathy'
  9. Act 1, Scene 1: 'On the moors, o...
  1. Act 1, Scene 1: 'Ha! so this is ...
  2. Act 1, Scene 1: 'Be quiet ye ill...
  3. Act 1, Scene 1: 'Look-the moon'
  4. Act 1, Scene 1; Orchestral Inter...
  5. Act 1, Scene 2: Intro
  6. Act 1, Scene 2: 'Joseph-enough o...
  7. Act 1, Scene 2: 'I am the only b...
  8. Act 1, Scene 2: The postillion c...
  9. Act 1, Scene 2 'It is now Christ...

Disk 2

  1. Act 2: Intro
  2. Act 2: 'Come, Cathy-'
  3. Act 2: 'I'm not come too soon, a...
  4. Act 2: 'Nelly, Nelly, hide me'
  5. Act 2: 'Poor Bairn. poor Bairn'
  6. Act 2: 'Nelly, will you keep a s...
  7. Act 2: 'I have dreamt'
  8. Act 2: 'Isn't that Heathcliff?
  9. Act 3: Intro
  1. Act 3: 'Now art thou, dear'
  2. Act 3: 'A person from Gimmerton'
  3. Act 3: 'Sit down, sir'
  4. Act 3: 'Love is like the wild ro...
  5. Act 3: 'Heathcliff! I want to ta...
  6. Act 3: 'She goes to the window
  7. Act 3: 'There's A face in the wi...
  8. Act 3: 'Love is like the wild ro...

Disk 3

  1. Act 4: Prld
  2. Act 4: 'Tell me, Nelly'
  3. Act 4: Slowly hindley begins to ...
  4. Act 4: Hindley picks up one of t...
  5. Act 4: 'Silence!'
  1. Act 4: Orchestral Interlude (Med...
  2. Act 4: Cathy Enters
  3. Act 4: 'May she wake in torment!'
  4. Act 4: 'Heathcliff,-Heathcliff-'

Pro Reviews: Wuthering Heights

  • All Music Guide

    This opera in four acts shows that Herrmann used similar techniques in his music for the concert stage as in his scores for film (although the melodic ideas tend to be longer in his concert music). In fact, several of the musical ideas in the opera were also used in his 1944 score for the movie Jane Eyre. Similar to the music for opening credits in films, the "Prologue" of this neo-romantic style opera introduces three principal motifs (cells): (1) a mourning, sighing phrase (after a tympani and brass intro) played by the woodwinds associated with both "the tragedy and the restless spirit of Cathy"(Hermann); (2) a phrase on cellos and basses associated with the place Wuthering Heights; and (3) a clarinet phrase associated with Cathy. "The formal design of the opera may be said to be that of a great circle, for the music of the prologue and that of the epilogue is the same. Both depict the 20 year vigil of Heathcliff" (Hermann). The vocal lines are guided by the pace and elaborate langu...age of Lucille Fletcher's libretto based directly on lines from Emily Brontë's famous novel, nevertheless the prose-style vocal music never lapses into traditional recitative but successfully maintains a "heightened form of lyrical speech" (Hermann). There is much extraordinary and sweeping impressionist orchestral writing, although the vocal writing tends to be well-intentioned but rather ordinary. - "Blue" Gene Tyranny, All Music Guide Read more Less

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Biography

Bernard Herrmann

The dean of film composers, Bernard Herrmann was probably the most gifted musician ever to work in movies, with barely a note of music to his credit that is not worthwhile. A classically trained composer, Herrmann worked for Orson Welles' Mercury Theatre and the CBS radio network before going to Hollywood with Welles in 1940. His first two film scores, Citizen Kane and ... Read more