Josh's Music Reviews
By Yahoo! Shopping User Sep 20, 2001
Computers have become an increasingly popular theme for pop-culture decorators in the last few years (i.e. The Matrix). On their sophomore album, Orgy have definitely taken this sci-fi image to new lengths - the CD is completely covered with the futu...ristic, man/machine hybrid pictures normally associated with pure techno and rave music. Aside from aesthetics, though, the album's content also fits well with the motif. The opening track is a computerized voice going through one of those "launch initiation" sequences in pretty much every movie ever made that involves a spaceship (except maybe Apollo 13), and their current radio single features a talking synthesizer saying "dreams in digital." The only way it could get more computerized than this would be to have R2D2 singing along. The computers serve as more than just an image though; they are a metaphor for today's genetically homogenized, force-fed pop culture (I know, I always complain about other people telling me what metaphors really mean, but I'm just giving you my own impression here). The aforementioned single which launched this album is called "Fiction (Dreams In Digital)." If the title doesn't tell you anything, try lyrics like "your pixel army can't save you now." Of course, I can't say that one song makes a theme for the whole album, so here are some more examples: "you've been driven by your faceless personality" (from the song "The Odyssey"), "there's a time and a place we hide behind" ("107"), "can you find yourself with the bright lights flashing?" ("Where's Gerrold?"), "And we make this new religion to escape what we've become" ("Re-Creation"). The list goes on almost indefinitely. True, these words alone may not sound very computer-like, but it all fits into place perfectly when you're listening to the music. Synthesizers play a heavy role in the sound, sometimes as a sinister backdrop ("107"), sometimes pulling you through the heaviest of it all ("Fiction"). Songs like "Opticon" and "Dramatica," with their 80s drumbeats and keyboard sounds, give it all a pop feel, which in context seems more sarcastic than anything else. The lambasting of pop culture isn't just limited to the computer metaphor. There is also derision of celebrities, the tactic used by many others for the same purpose (ironic, since many of those bands are the very ones being mocked). "Suckerface," probably the most direct of these assaults, is filled with lines like "raised by the queens your mother paid - so how does that make you a human god?", while "The Odyssey" is a little less direct with the line "your image is your invitation." Not as creative as the computer thing, but it works toward the same purpose. The point is, Vapor Transmissions is a good CD. Wether you prefer to listen for the socially-conscious lyrics or the driving instrumental work, you should be well satisfied (unless you just don't like this kind of music, but that's a different story). Read more Less
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