Under California: The Limit of Time (1998)

Part passion play, part western, and part road movie, Carlos Bolado's debut feature is breath-taking homage to the powers of nature, art, ritual, and love. A work of stirring beauty, Bajo California dramatizes the spiritual and physical odyssey of a man traversing a sand-ravaged coastline in search of his indigenous grandmother's gravesite and a reckoning with his soul. As his pilgrimage transports him beyond the outer veil of modernity, he becomes a man humbled by his environs, learning that to face his present, he must first recommune with his past. . When Damian, a successful environmental artist, accidentally kills a pregnant woman crossing the Mexico-California border, he flees his wife and the imminent birth of his child. Inconsolable in his grief, Damian journeys to his ancestral homeland in Baja, California, in search of solace and a rooted sense of faith. Disoriented by heat and hunger, he stumbles through the desert, confronting the ghosts of Jesuit missi! onaries and indigenous peoples and, ultimately, his own mortality. But it is through a friendship forged with a native guide, Arce, that Damian discovers life's richest lessons, the seeds of his artistry, and a revived passion for existence. Bolado's love of cinema resonates throughout Bajo California, recalling Antonioni for its experimental ethereality and Leone for the striking psychological manipulation of its camerawork and cuts (Bolado is the award-winning editor of Like Water for Chocolate). Resplendent with multi-textured shards of symbolism and allegory, Bajo California is exuberant cinema and the work of a daring new director.