Eddie & Martha Adcock - Twograss (CD)

Twograss
$1.33 - $7.99
4 out of 5.0 stars 1 Rating (1 Review)

Album Details: Twograss

Release Date:05/20/2003
Label:Pinecastle
UPC:755757112826

Track List: Twograss

  1. Let's
  2. Something to Be Finding
  3. It's Grand to Have Someone to Lo...
  4. Have Thine Own Way
  5. I Am a Pilgrim
  6. Pretty Redwing [Instrumental]
  1. Nobody's Darling But Mine
  2. Where Will I Shelter My Sheep
  3. I Got Wise
  4. Uncle Joe
  5. (Is This) My Destiny
  6. Gold Watch and Chain

User Reviews: Twograss

  • Overall:

    Lyrics:

    Music:

    Solid husband/wife vocals accentuated by tasty banjo breaks

    By Joe  Jun 1, 2003

    Playing Time - 33:58Song List: 1)Lets, 2)Something to Be Finding, 3)Its Grand to Have Someone Love You, 4)Have Thine Own Way, 5)I Am a Pilgrim, 6)Pretty Redwing, 7)Nobodys Darling but Mine, 8)Where Will I Shelter My Sheep, 9)I Got Wise 10)Uncle Joe, ...11)My Destiny, 12)Gold Watch and ChainEddie and Martha Adcock produce a lot of sound together, but one can wish that they would have also included some guests for additional vocal harmony, as well as a few hot mandolin, fiddle and resonator guitar breaks on this project, their first in five years. Obviously, TwoGrass is meant to support and showcase just the dynamic duo, also known as the biggest little band in bluegrass. Theyve also been called The Sonny and Cher of Bluegrass. This lean approach is successful largely because of their choice of eclectic material that spans folk to Gospel, jazz to blues, and country to bluegrass. Half of the album is comprised of original material. Lets kicks off the album on an uptempo note. Something to Be Finding is a contemporary song of optimism and hope. Martha sings a beautiful Have Thine own Way. Eddies original Uncle Joe, is a ballad of a song-carrying relative who lived in the mountains. Material from Don Reno, Jimmie Davis, Joe Grieshop, Carter Stanley, Helen Carter and A.P. Carter round out the offerings. Eddie Adcock hails from Virginia, but he currently resides in Nashville. His first professional banjo-playing job dates back to 1957 when he played (at age 14) for Mac Wiseman. He then worked with Bill Monroe and the Blue Grass Boys that same year. In 1958, Adcock joined The Country Gentlemen (replacing Pete Kuykendall). In 1970, Adcock left the Country Gentlemen, moved to California, and played rock music under the pseudonym Clinton Kodack. In 1971, he formed band with Jimmy Gaudreau called the Iind (Second) Generation. In 1976, he formed Eddie Adcock and Talk of the Town, with wife-to-be Martha (Hearon) and Missy Raines (bass). Also toured with David Allan Coe. This group eventually became The Eddie Adcock Band. In 1990-91, performed with The Masters featuring Eddie on banjo and guitar, Jesse McReynolds on mandolin, Josh Graves on Dobro, and Kenny Baker on fiddle. Although Eddie is considered one of the pioneers of new acoustic music, Twograss exhibits a distinctly traditional sound. In 1996, Adcock was inducted into the IBMAs Hall of Honor as a member of the Classic Country Gentlemen. Raised in a musical family from South Carolina cotton country, Martha has classical music training but started teaching herself stringed instruments since age eight. After a long folk and fingerpicking phase, she fell in love with bluegrass in her late teens. Bluegrass festivals in North Carolina and Virginia introduced her to guitar players like Charlie Waller, Jimmy Martin, Bill Harrell and Dan Crary. After moving to Nashville in 1973, Martha met Eddie. She started running the sound for Eddies group, II Generation, then joined the band shortly thereafter. Since then, theyve worked with up to a seven-piece newgrass band, with David Allan Coe doing country rock, and now as a duo called TwoGrass. Martha calls this her favorite configuration yet. We always try to put out 120 percent, she once said. If the music and the show work, you can congratulate us ; and if it doesnt, you can blame us, just us. Theres nobody else to hide behind. We love working together and know were very fortunate to be able to spend our time together. And since theres just two of us, we can stop for supper wherever we want on the road without having to consult other opinions. Minimum people, minimum problems. Its so easy and satisfying like this. Were enjoying the heck out of it. Husband and wife duos are rarely as solid as the Adcocks, with their vocal blends accentuated by tasty banjo breaks. (Joe Ross, staff writer, Bluegrass Now) Read more Less

Pro Reviews: Twograss

  • All Music Guide

    Eddie Martha Adcock deliver an album in the tradition of Les Paul and Mary Ford in that they rely on the multi-tracking capabilities of the recording studio to create full arrangements rather than the presence of a band. Eddie covers the banjo, lead guitar, mandolin, and bass while Martha helms the acoustic rhythm and most of the lead vocals. Both cover the harmony vocals, sometimes multi-tracked into four-part harmony, and from time to time Eddie will take over the lead vocals. The fact that the two of them are the only performers on the disc is surprising for the reason that TwoGrass actually has the confidence of instrumental interplay which typically requires a group of trustful musicians playing together to firmly achieve without sounding rigid. Overall, TwoGrass has a comfortable summer Sunday lounging-on-the-porch feel and is a nice addition to the Adcocks' convention of wonderfully honed and relaxed yet virtuosic folk and bluegrass styling.

    - Gregory McIntosh, All Music Guide

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Biography

Eddie Adcock

Among the major-league talent emerging from the folk music boom of the late '50s were the Country Gentlemen, a D.C.-based quartet that introduced bluegrass to a generation of city folks and college students, people who had never heard of Flatt Scruggs or Bill Monroe or the Stanley Brothers. The Gentlemen, in playing the old bluegrass standards but playing them "differe... Read more