Synopsis: The Aviator/Million Dollar Baby (2005)
THE AVIATOR: Martin Scorsese's THE AVIATOR is a lavish spectacle of a motion picture that harkens back to Hollywood's Golden Era in telling the story of Howard Hughes, one of 20th-century America's most pioneering and influential figures. Starring Leonardo DiCaprio as the eccentric billionaire, Scorsese's biopic concentrates on Hughes's life between the 1920s and '40s,...
THE AVIATOR: Martin Scorsese's THE AVIATOR is a lavish spectacle of a motion picture that harkens back to Hollywood's Golden Era in telling the story of Howard Hughes, one of 20th-century America's most pioneering and influential figures. Starring Leonardo DiCaprio as the eccentric billionaire, Scorsese's biopic concentrates on Hughes's life between the 1920s and '40s, when he made some of his most striking contributions to both the film and aviation industries. At only 25 years of age, Hughes directed the most expensive film ever made up to that point, HELL'S ANGELS (1930), which Scorsese gleefully recreates here in all its sprawling, audacious glory. At the same time, he became known as an unabashed playboy, bedding the likes of Jean Harlow (singer Gwen Stefani), Ava Gardner (Kate Beckinsale), and Katherine Hepburn (a brilliant Cate Blanchett). In the mid-'30s, he turned his attention to the aviation industry, where he quickly became a world-renowned celebrity for shattering speed and distance records. He also continued to test the limits of flight technology, building bigger, faster, and stronger aircrafts. All the while, he struggled with an obsessive-compulsive mental disorder that sent him into a full-fledged tailspin after a near-fatal plane crash. The film concludes with Hughes being called to the Senate in '47 to defend himself against nefarious Senator Owen Brewster (Alan Alda), who accused Hughes of taking money from the United States government during wartime.
Stunningly photographed by Robert Richardson, Scorsese's nearly three-hour drama features an impassioned performance by DiCaprio, who is also credited as an executive producer. Although she appears in less than a third of the film, Blanchett delivers a performance that cements her status as one of the finest actresses ever to appear on the big screen.
MILLION DOLLAR BABY: Released a little over a year after the grand success of his Oscar-winning feature MYSTIC RIVER, Clint Eastwood returns to the director's chair for MILLION DOLLAR BABY. Eastwood also stars, in the role of Frankie Dunn, a down-on-his-luck former boxing manager who spends the twilight years of his life running a small, dilapidated gym in downtown Los Angeles. Frankie's previous career was blighted by an injury to one of his prize fighters, Scrap (Morgan Freeman), who lost the sight in his right eye during a particularly brutal bout; Scrap now wiles away the hours working as a cleaner in Frankie's gym. Wary of similar occurrences being inflicted on the prestigious young talent that passes before him, Frankie lets a succession of great boxers slip through his fingers. But when the brash, confident young boxer Maggie Fitzgerald (Hilary Swank) strides into the gym, Frankie's life is irretrievably altered. Initially refusing to train Maggie due to her gender and age, Frankie relents when faced with her tenacity, spirit, and burning ambition. The combination of Maggie's talent and Frankie's tutelage paves the way for the adroit fighter to rise steadily through the ranks of women's boxing, with the unlikely coupling forming a genuinely touching bond in the process.
Clint Eastwood has crafted a boxing film fit to stand alongside classics such as RAGING BULL and ROCKY with MILLION DOLLAR BABY. The scenes between Eastwood and Freeman are a delight to watch, with the two old hands pulling off masterfully understated performances as a couple of men teetering on the brink of failure. Likewise, Swank puts in a powerful turn as Maggie, further emphasizing her penchant for unusual roles, and perhaps even bettering her incredible, Oscar-winning showing as Teena Brandon in BOYS DON'T CRY.