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Julie London - Swing Me an Old Song

Swing Me an Old Song
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Album Details: Swing Me an Old Song

Release Date:01/01/1959
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Track List: Swing Me an Old Song

  1. Comin' Thro' the Rye
  2. Be My Little Bumble Bee
  3. Camptown Races
  4. Old Folks at Home
  5. Downtown Strutters' Ball
  1. Row, Row, Row
  2. By the Beautiful Sea
  3. Bill Bailey, Won't You Please Co...
  4. Three O'Clock in the Morning

Pro Reviews: Swing Me an Old Song

  • All Music Guide

    Everyone seems to have forgotten that rock roll wasn't doing so hot with white audiences at the tail end of the 1950s until the Beatles hit the scene and had everyone going electric again. Instead of rockabilly, folk music and Dixieland jazz were huge in 1959 and young audiences were getting into old-time songs that their parents and grandparents knew. Swing Me an Old Song was Julie London's Dixieland-spiced folk revival effort. If it doesn't actually play to her strengths to be cast as a sexed-up version of Burl Ives, it takes some kind of real talent to be able to coo such hoary chestnuts as "Camptown Races" and "Row, Row, Row, Your Boat" without embarrassing yourself too much. Thankfully, the song selection on most of the album is better than these two egregious examples of stale singalongs that should never have made it outside of summer camp. Tracks like "Cuddle up a Little Closer" and "Darktown Strutters Ball" fit London like a satin glove, as does her downbeat take on "Bill Bai...ley, Won't You Please Come Home" (though she would cut an even better version of this on her 1966 release For the Night People). During the same year as Swing Me an Old Song, London also cut the cool jazz album Julie...at Home (which may just be her single finest work) and Your Number Please..., a swank orchestral set of standards. People often mention Julie London's limited vocal range, but it's surprising how far that her talent could stretch. - Nick Dedina, All Music Guide Read more Less

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Biography

Julie London

A sultry, smokyvoiced master of understatement, Julie London enjoyed considerable popularity during the cool era of the 1950s. London never had the range of Ella Fitzgerald or Sarah Vaughan, but often used restraint, softness, and subtlety to maximum advantage. An actress as well as a singer, London played with heavyweights like Gregory Peck and Rock Hudson in various f... Read more