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Microscopic Septet - Surrealistic Swing: History of the Micros, Vol. 2 (CD)

Surrealistic Swing: History of the Micros, Vol. 2
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Album Details: Surrealistic Swing: History of the Micros, Vol. 2

Release Date:10/10/2006
Label:Cuneiform
UPC:045775023823

Pro Reviews: Surrealistic Swing: History of the Micros, Vol. 2

  • All Music Guide

    The Microscopic Septet created music that wasn't easily labeled in any one particular style. Although their music swings, it has a novelty sound and doesn't hesitate to briefly delve into avantgarde jazz, Latin music or whatever whimsical notion comes to the mind of the band's composers and soloists. This twoCD compilation is the second part of a complete series of the group's recordings, with liner notes by cofounder and soprano saxophonist Phillip Johnston. With Johnston and pianist Joel Forrester writing most of the music and arrangements, the sound has remained fresh, long after the septet finally disbanded after their final session in 1990. Some of the highlights include Johnston's energetic "Baghdad Blues" (which is played as a salsa at one point), Forrester's "March of the Video Reptiles" (which suggests the influence of Raymond Scott), the funky, somewhat twisted "I Am the Police," the loopy miniature "Off Color," the hilarious klezmerlike "March of the Recently Punished Cathol...ic Boys" and finally, "The Dream Detective," where baritone saxophonist David Sewelson is featured extensively and even manages to work in the theme from the television series Get Smart An added bonus are two versions of the theme used by NPR's Fresh Air; one a sorrowful collage used during the First Gulf War and the latter which has been utilized on the program since the war's end. It's apparent that a firstrate reed section was required to tackle these demanding charts and each lineup of the Microscopic Septet manages to swing the heck out of the zany compositions of Phillip Johnston and Joel Forrester. - Ken Dryden, All Music Guide Read more Less

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Biography

Microscopic Septet

The Microscopic Septet was one of the most distinctive jazz ensembles in New York during the '80s and early '90s. Combining a love for the big-band sound with a progressive approach to arrangement and composition, the Micros managed to be nostalgic and futuristic at the same time. Founded by N.Y.U. dropout and soprano saxophonist Philip Johnston, the group that came to ... Read more