Cypress Hill - Skull & Bones (CD)

All Music Guide

Despite the best efforts of DJ Muggs, Cypress Hill ran out of gas fairly quickly, entering a tailspin as soon as their third album. Back at full strength with the return of Sen Dog, Cypress Hill devised a full-scale comeback with their fifth album, Skull Bones. The idea behind the album was to divide it into two -- a hip-hop disc (Skull) and a rock disc (Bones). This would guarantee some publicity, at the very least, and, hopefully, it would win over the new generation of adolescents who flipped for rap-metal acts like Kid Rock and Limp Bizkit. On paper, it's a sound theory, but there was a slight flaw -- the group is kind of lame when they rock. Their band is competent enough, and B-Real's voice does sound good with overdriven guitars, but their rock songs utterly fall apart, since they have no hooks, no catchy riffs, and no character. If rap-rock was all there was to Skull Bones, it would be a bit of an embarrassment. Fortunately, the Skulls disc is their finest effort since Black ...Sunday. Muggs is in prime form, creating funky, ominous, evocative soundscapes, which B-Real makes the most of with fluid rhymes. At times, B-Real does descend into tastelessness ("Stank Ass Hoe"), and neither he nor Sen Dog really find any new lyrical ground, but sonically, Skulls is a blast; B-Real's whine and Sen Dog's gruff, blunt style are the perfect match for Muggs' darkly cinematic soundscapes, and, on a purely sonic level, it's quite intoxicating. At their best, Cypress Hill is a hip-hop experience unlike any other, and, ignoring the Bones, this is the best they've been in a long, long time. - Stephen Thomas Erlewine, All Music Guide Read more Less