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Sixty Six To Timbuktu

Robert Plant - Sixty Six To Timbuktu

User Rating:

  20 Ratings (2 Reviews)

Track List: Sixty Six To Timbuktu

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Disc 1:

  1. Tie Dye On The Highway
  2. Upside Down
  3. Promised LandDownload & Buy
  4. Tall Cool One
  5. Dirt In A HoleDownload & Buy
  6. Calling To YouDownload & Buy
  7. PalmsDownload & Buy
  8. If I Were A CarpenterDownload & Buy
  9. Sea Of Love
  10. Darkness, DarknessDownload & Buy
  11. Big Log
  12. Ship Of Fools
  13. I BelieveDownload & Buy
  14. Little By Little
  15. Heaven Knows
  16. Song To The SirenDownload & Buy

Disc 2:

  1. You'd Better Run
  2. Our Song
  3. Hey Joe
  4. For What It's Worth
  5. Operator
  6. Road To The Sun
  7. Philadelphia Baby
  8. Red For Danger
  9. Let's Have A Party
  10. Hey Jayne
  11. Louie, Louie
  12. Naked If I Want To
  13. 21 Years
  14. If It's Really Got To Be This Way
  15. Rude World
  16. Little Hands
  17. Life Begin Again
  18. Let The Boogie Woogie Roll
  19. Win My Train Fare Home (Live In Timbuktu)

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Album Details: Sixty Six To Timbuktu

Release Date:
11/04/2003
Label:
Atlantic / Wea
UPC:
075678362620

User Reviews: Sixty Six To Timbuktu

  1. 66 to Timbuktu

    , November 22, 2007
    Reviewer: markpbloom - See all markpbloom's reviews
    Overall:   
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    Music:   
  2. 66 to timbuktu

    , November 3, 2003
    Reviewer: drwho_1021 - See all drwho_1021's reviews
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read all (2) user reviews for Sixty Six To Timbuktu 

Pro Reviews: Sixty Six To Timbuktu

EXPERT RATING:   

From AMG Reviews

Sixty Six to Timbuktu has to be the icing on the cake for Robert Plant. After Led Zeppelin issued its second live album as well as a spectacular DVD in 2003, his career retrospective outside of the band is the new archetype for how they should be compiled. Containing two discs and 35 cuts, the set is divided with distinction. Disc one contains 16 tracks that cover Plant's postZep recording career via cuts from his eight solo albums. Along with the obvious weight of his former band's presence on cuts like "Tall Cool One," "Promised Land," and "Tie Dye on the Highway," there is also the flowering of the influence that Moroccan music in particular and Eastern music in general would have on him in readings of Tim Hardin's "If I Were a Carpenter," Jesse Colin Young's "Darkness, Darkness," and his own "29 Palms." There is also a healthy interest in technology being opened up on cuts from Pictures at Eleven and Now Zen. The sequencing is creative, and the way one track seemingly foreshadows another is rather uncanny. But it is on disc two where the real treasures lie, and they are treasures. Of the 19 selections included, five are preLed Zeppelin. And these are no mere deaddog files. Plant was revealing himself to be a jackofallsubgenres master: he drops a burning rendition of the Young Rascals' "You'd Better Run" circa 1966, and a wailing version of Billy Roberts' "Hey Joe" (recorded in 1967 and rivaling the emotional wallop of Jimi Hendrix's version recorded that same year). There's also the protoblues moan and groan of "Operator" with British blues god Alexis Korner from 1968, which foreshadows the following year when he would join Zep. But Plant was not all raw raunch roll. On Stephen Stills' "For What It's Worth," he lays out a paisley hippie sincerity that is downright stirring. And on "Our Song," he takes the example of crooners like Dion and sings a love song, so pure and true it might have come from screen rushes of American Graffiti. These tracks are worth their weight in gold for the integrity in their performances and their rough edges. Led Zeppelin is a smorgasbord of exploratory music from a very restless and confident Plant. Here are outtakes, oneoffs, loose ends, and covers that add up to 70 minutes of awesome music. There's the intense Zep soundlike skronk of "Road to the Sun," with Phil Collins on drums and Robbie Blunt doing his best Jimmy Page, and the shuffling rockabilly of Charlie Rich's "Philadelphia Baby," with Dave Edmunds, recorded at Sun Studios in Memphis for the Porky's Revenge soundtrack. On the roots tip there's also Plant's contribution of "Let's Have a Party" to The Last Temptation of Elvis compilation, as well as cuts he contributed to the Rainer, Skip Spence, and Arthur Alexander tribute albums. There are Bsides such as "Naked if I Want To" from the U.S. release of "Calling to You," and "Hey Jayne," a limited bonus flip on the U.K. issue of the "I Believe" single from Fate of Nations, as well as a collaboration with the AfroCelt Sound System on "Life Begin Again." This indulgence of modern technology began earlier than the 1990s, however, as the inclusion of Robin George's protoelectro "Red for Danger" attests the track is previously unreleased. And this is only a smattering. There are cuts from his stint with the Jools Holland big band, the Wayne's World soundtrack, and many, many others. Once again, Plant's manner of sequencing is full of a crazy wisdom that is as witty as it is aesthetically sound. Finally, something has to be said about Plant's wonderfully informative, cocky, and delightfully humorous liner notes. Should he ever decide to give up music, he might become the next Lester Bangs. It all adds up to one hell of a package that provides the best surprise of the season and is a real candidate for reissue of the year.

- Thom Jurek, All Music Guide



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Robert Plant Biography

In 1968, a naïve young singer from the Black Country hills in England named Robert Plant was discovered wailing the blues by veteran session guitarist Jimmy Page and bassist/keyboardist John Paul Jones. When Plant recommended his friend John Bonham ...Full Robert Plant Biography

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