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Gene Vincent - Shakin' Up a Storm

Shakin' Up a Storm
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Album Details: Shakin' Up a Storm

Release Date:08/04/1997
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Track List: Shakin' Up a Storm

  1. Hey Hey Hey Hey
  2. Lavender Blue
  3. Private Detective
  4. Someday (You'll Want Me to Want ...
  1. Another Saturday Night
  2. Good Golly Miss Molly
  3. Baby Blue
  4. Susie Q

Pro Reviews: Shakin' Up a Storm

  • All Music Guide

    Virtually everything on Gene Vincent's final EMI album, Shakin' Up a Storm, is superb, representing some of his best rock roll from a decade in which he went years between albums. Cut with the backing group the Shouts and released only in England, Shakin' Up a Storm is an unusual record, containing elements of the burgeoning Merseybeat sound and soft-rock covers of country songs. The album (which has been reissued as part of EMI's 100th Anniversary series, in glittering 24-bit sound) starts off well with a raucous "Hey Hey Hey," fueled by the fiery saxwork of Jim Field. It then switches gears on "Lavender Blue," a soft ballad that was more Elvis Presley's speed (though Vincent does surprisingly well, singing as softly as he knows how), before launching into the rockabilly-style "Private Detective," on which Tim Bates' lead guitar shines. "Shimmy Shammy Shingle" is a thumping number that, with a heavier bass sound, could've passed for a Liverpool-style rocker, and "Someday (You'll Want... Me to Want You)" is a decent cover of a pop standard. Vincent's abilities as an RB singer -- showcased on his magnificent 1963 single "Where Have You Been All My Life" -- are highlighted several times on Shakin' Up a Storm, most notably on a cover of Sam Cooke's "Another Saturday Night," on which Vincent's voice is richly expressive and the mix of rhythm guitar and organ accompaniment adds a nice, new wrinkle to the song. "Slippin' Slidin'," featuring Bates' rippling lead guitar and a great vocal performance from Vincent, is a stomping rocker that could've passed for a first-rate Merseybeat track. Vincent also does well with "Send Me Some Lovin'," which allows him to stretch out vocally in front of a sax and rhythm guitar arrangement. "Love Love Love," with its multi-tracked vocals and bouncy rhythm guitar part, sounds like a direct attempt to emulate the Merseybeat sound. It opens a series of songs that ought to have given Vincent's detractors pause; he might not have charted a record in a couple of years when this album was issued -- even in England -- but he could still generate exciting music in almost any rock roll idiom. "Baby Blue," co-authored by Vincent and featuring pounding support by the Shouts, sounds like it was snatched straight out of one of Gene's 1957 sessions. The producers could've ended Shakin' Up a Storm with the blazing "Suzie Q," but instead they threw on one more number, a hard-rocking rendition of Jimmie Davis' "You Are My Sunshine." Featuring Victor Clarke's heavy drumming, Field's honking sax, and a hot performance by organist Erik Baker, the song nonetheless belongs to Vincent, who transforms this country-pop classic into a serious rock roll screamer. - Bruce Eder, All Music Guide Read more Less

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Biography

Gene Vincent

Gene Vincent only had one really big hit, "Be-Bop-a-Lula," which epitomized rockabilly at its prime in 1956 with its sharp guitar breaks, spare snare drums, fluttering echo, and Vincent's breathless, sexy vocals. Yet his place as one of the great early rock roll singers is secure, backed up by a wealth of fine smaller hits and non-hits that rate among the best rockabil... Read more