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Scrapper Blackwell - Scrapper Blackwell, Vol. 2 (1934-1958) (CD)

Scrapper Blackwell, Vol. 2 (1934-1958)
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Album Details: Scrapper Blackwell, Vol. 2 (1934-1958)

Release Date:01/01/1994
Label:Document
UPC:714298603026

Pro Reviews: Scrapper Blackwell, Vol. 2 (1934-1958)

  • All Music Guide

    The second volume of Scrapper Blackwell sides features material he cut solo in 1934, accompanying himself on the piano, and as a solo guitarist from 1935 ("D Blues," "A Blues"), as well as songs cut as part of Pinewood Tom and His Blues Hounds, teamed as a guitarist with Josh White (on vocals and guitar) and pianist Leroy Carr; under the name Frankie Black accompanied by pianist Dot Rice, and some in association with Bumble Bee Slim. These are all first-rate sides, equal to the best of his work with Leroy Carr and among the finest guitar playing in any category of music that you're ever likely to hear. Among the songs, "My Old Pal Blues (Dedicated to the Memory of Leroy Carr)" is a beautiful and poignant piece of personal, topical blues songwriting dealing with Carr's death in April of 1935, with Dot Rice providing excellent, fluid piano accompaniment to Blackwell's voice and guitar. Rice and Blackwell are teamed together again, backing Bumble Bee Slim on "Hey Lawdy Mama," the song tha...t Willie Dixon later transformed into the classic "Meet Me in the Bottom" for Howlin' Wolf. The real treat, however, is the first release on CD of the four songs that Blackwell recorded in 1958, at the outset of his comeback -- these little-known tracks are dark, moody, and utterly dazzling. Most of the masters are in surprisingly good condition ("Mean Mistreater Mama" and "She's Alright with Me" from 1934, and "Hey Lawdy Mama" from 1935 are notable and unfortunate exceptions), and this is an indispensable release for any serious fan of blues guitar, or guitar-piano duets. Neither gets any better than this. - Bruce Eder, All Music Guide Read more Less

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Biography

Scrapper Blackwell

Scrapper Blackwell was best known for his work with pianist Leroy Carr during the early and mid-'30s, but he also recorded many solo sides between 1928 and 1935. A distinctive stylist whose work was closer to jazz than blues, Blackwell was an exceptional player with a technique, built around single-note picking, that anticipated the electric blues of the 1940s and 1950s... Read more