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Depeche Mode - Playing the Angel (CD)

Album Details: Playing the Angel

Release Date:12/06/2005
Label:Reprise / Wea
UPC:093624934820

Other Available Formats: Playing the Angel

User Reviews: Playing the Angel

  • Overall:

    An "angel" with wings

    By Nubian ∑agle ©™  Oct 16, 2006

    Pros: Another above-average CD from the Mode

    Cons: A few subpar tracks in the second half

    "Playing the Angel" is the eleventh studio album by synth legends Depeche Mode (and the third the band has released as a trio). This isn't a CD you review on the first listen. I've listened to it hundreds of times on my iPod, and ea...ch experience revealed some detail I didn't catch before. True to the trio's formula, "Playing the Angel" is chock full of religious themes, tales of angst, and spiritual decadence. Under Ben Hiller's production, Martin Gore, Andy Fletcher, and Dave Gahan offer more of the same, but with a few interesting surprises and twists. The kickoff single "Precious" (a Top Five UK hit), is classic Mode: synth bleeps, a pulsating beat, and Gahan's expressively deep voice. Musically, "John the Revelator" is "Personal Jesus Redux" with its aggressive, mangled guitar, and Gore (an underrated vocalist) takes over singing duties on the dark and brooding "Macro." Even the lovely 2 minute instrumental "Introspectre" is a standout. But unlike previous DM albums, where Gore writes all the songs, Gahan steps in and contributes three of his own; the best of which is the third single "Suffer Well." Apparently, Gahan developed the songwriting itch after the release of his 2003 solo debut "Paper Monsters," and while he's not quite as experienced as Gore, he shows some potential. Though minimally flawed, "Playing the Angel" is a respectable comeback that's worth the four-and-a-half year wait. Read more Less

  • Overall:

    Lyrics:

    Music:

    ANGEL SOLEMN BUT SPIRITED

    By RonaldW  May 13, 2006

    Pros: THE LYRICS ARE BEST YET

    Cons: SAGS IN MIDDLE THREATENING ATTENTION

    One only hopes when you invest as much time, money and listening to a group thru out their career that they remain consistent in style but continue to grow. I've been with 'the Mode' since their the earlt eighties and one of my faves &qu...ot;Leave In Silence" and "Construction Time Again" Yes, there have been ups "Leave In Silence" and downs "Ultra" but this time 'the Mode' have really outdone themselves. With healthy doses of passion, agony, winning, and defeat with much compassion and faith DEPECHE MODE turn in a near brilliant collection electronic pop/rock that is almost as soothing, in it's own strange wag, than any chillout collection. Produced by Ben Hillien, I think it is the lyrics here that really shine. From Gahan continuing accounts of his dealing with addictions he says, "I'm still recovering, Still getting over all the suffering, The sinner in me." He furthers, "It's my desire, To give myself to you sometimes." There's more great stuff like in other songs like "John the Revelator" and "Suffer Well." This trio, now, of Dave Gahan, Martin Gore and Andy Fletcher have crafted a beautiful and dark collection of songs about life, desire and want that is both surprising, and not surprising considering the body of work preceding it. And for once, well worth the cash to own it. Read more Less

Pro Reviews: Playing the Angel

  • All Music Guide

    When Ultra was declared the best Depeche Mode album since Violator, those who said so must have forgotten about Songs of Faith and Devotion. When Exciter was declared the best Depeche Mode album since Violator, those who said so must have also forgotten about Songs of Faith and Devotion, in addition to having found a roundabout way of saying that it was merely better than Ultra. There's no doubt this time: Playing the Angel is both the band's best album since Violator and, more significantly, an album that is near Violator in stature. The biggest clue dropped by the band prior to its release was a quote from Dave Gahan, who said that being in Depeche Mode is better than it has been in 15 years. Some quick math reveals that Gahan was hinting at the Violator era, a time when the band's creativity and popularity peaked synchronously. It also turns out that this is a time as good as any other to be paying attention to the band. Playing the Angel lacks Songs of Faith and Devotion's endtoend... chestbeating, Ultra's grinding murk, and Exciter's desiccated patches. It takes the best qualities from those releases, combines them with a few subtle allusions to Violator tiptoeing the border that separates retread from reinvention and makes for a highly concentrated set of songs that all but demand to be heard in one uninterrupted shot. Gahan, still riding the confidence he gained as a songwriter from Paper Monsters, his 2003 solo debut, contributes three songs cowritten with band associates Christian Eigner and Andrew Phillpott. Though none of them vie to be the album's centerpiece, it's apparent that the move wasn't a concession of desperation on anyone's part. The friendly competition seems to have kicked chief songwriter Martin Gore into high gear; he's in top form. Musically, a lot of analog gear was used, and it's apparent that the arrangements and extra sounds were less fussed over than they have been in the recent past. You get the sense that everything fell into place, as opposed to being forced or aimlessly manipulated. Despite the favoring of older gear, there's no other year in which any of the songs could've been made. Like the best Depeche Mode, almost everything on the album will make an initial wowing impact while remaining layered enough in subtle details to surprise and thrill with repeated listens. It is not the kind of album a 25yearold band is supposed to make. - Andy Kellman, All Music Guide Read more Less

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Biography

Depeche Mode

Originally a product of Britain's New Romantic movement, Depeche Mode went on to become the quintessential electro-pop band of the 1980s; one of the first acts to establish a musical identity based completely around the use of synthesizers, the group began their existence as a bouncy dance-pop outfit but gradually developed a darker, more dramatic sound which ultimately... Read more