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Michaelangelo - One Voice Many (LP)

One Voice Many
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4.5 out of 5.0 stars 2 Ratings (2 Reviews)

Album Details: One Voice Many

Release Date:08/21/2007
Label:Fallout
UPC:5051125204823

Track List: One Voice Many

  1. Come to Me
  2. Son (We've Kept the Room Just th...
  3. Medley: Take It Bach/Michaelangelo
  4. It's Crying Outside
  1. 300 Watt Music Box
  2. Half a Tap
  3. One Voice Many

Other Available Formats: One Voice Many

User Reviews: One Voice Many

  • Overall:

    Lyrics:

    Music:

    A couple fantastic instrumentals

    By "Crash"  Nov 29, 2007

    Pros: The instrumentals

    Cons: none

    Unlike the previous reviewer, it was the instrumentals on this LP - which I still have - which blew me away when I first heard them and still do. Different strokes for different folks, I suppose. I still remember the first time I heard 300 Watt Music... Box on the radio. The medley: Take it Bach/Michaelangelo is also fantastic. The vocals are good too. Read more Less

  • Overall:

    Lyrics:

    Music:

    Oe Voice Many

    By joe  Nov 25, 2006

    Pros: two great songs

    Cons: instrumentals a little boring

    The song west and son(we've kept the room just the way you left it were both good, but son was great. The instrumentals arn't to good. but not to bad

Pro Reviews: One Voice Many

  • All Music Guide

    Michaelangelo's sole album is in most respects average, if pleasant, folkrockpsychedelia with malefemale vocal harmonies/lead tradeoffs that sounds as if it might have been recorded a couple of years or so prior to its 1971 release date. There is, however, one factor that makes it distinguishable from many similar LPs of the era: the Autoharp of Angel Autoharp, as she's billed on the record, who also wrote the group's material. There's no other rock album of the period, quite possibly, that uses the Autoharp so prominently, almost as though it is, in effect, a lead guitar (or an important rhythm guitar) within the rock instrumentation. Angel also sings some of the material, which largely has a bittersweet and haunting (if basically upbeat) flavor, though male vocals also take the lead on some tracks. The vocal numbers are OK (though not special), but the real standouts are the instrumentals. In those, the harpsichord really steps forward as a featured instrument, and rock, folk, and cl...assical melodies and dynamics are combined in a fashion that avoids the bombast and pretension afflicting many British and European attempts at a rockclassical fusion within the progressive rock format. An engagingly light if somewhat slight oddity, it's odd that a majorlabel album such as this had (as of 35 years after its release) escaped CD reissue, a situation that probably won't endure forever. - Richie Unterberger, All Music Guide Read more Less

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