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Vert - Nine Types of Ambiguity [Bonus Tracks]

Nine Types of Ambiguity [Bonus Tracks]
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Album Details: Nine Types of Ambiguity [Bonus Tracks]

Release Date:03/07/2001
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Pro Reviews: Nine Types of Ambiguity [Bonus Tracks]

  • All Music Guide

    Very different from his album debut, Nine Types of Ambiguity reveals Vert as a rhythmdriven sound obsessive with a melodic heart. The digitally stretched tones and clicks that begin the first track "Blindsight" seem the sort of thing that would open an Oval album, but a warm bassline and playful drum programming fall in and establish Vert's pop agenda. This mood is carried forward with "Codfish Dada," which combines a wooden xylophone, toy keyboards, and assorted digital percussion into a wideeyed soundworld. The rousing "To Doo Is to Be" is streetwise funk updated, Miles Davis "On the Corner" in a virtual neighborhood. The tracks that back away from the beats also work, as Vert is skilled with subtle ambient textures. With Enoesque drones and persistent piano, "Last Night From a Bus I Saw" recalls Labradford, while the hurdygurdy organ melody on "Somewhere Between Here and Last Week" is reminiscent of Nobukazu Takemura. Nine Types of Ambiguity is a diverse album loaded with imaginatio...n. [The Japanese version included bonus tracks.] - Mark Richardson, All Music Guide Read more Less

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Biography

Vert

Vert is the name that England's Adam Butler gives his musical projects. Butler's music is rife with the theoretical underpinnings common in electronic music's glitch scene, in addition to being texturally dense with post-Autechre processing. But a strong melodic sensibility sets Vert apart. Because his music is generally listenable and immediately engaging, Vert remains... Read more