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Moreira Da Silva - Moreira Da Silva

Moreira Da Silva
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Album Details: Moreira Da Silva

Release Date:01/01/1994
UPC:

Track List: Moreira Da Silva

  1. Amigo Urso
  2. A Deusa Da Vila
  3. Bilhete Branco
  4. Mendigo de Amor
  5. Com Acucar
  6. Olha a Direita...
  1. Esta Noite Eu Tive Um Sonho
  2. Doutor Em Futebol
  3. Olha a Cara Dela
  4. O Homem Que Se Casa E Feliz
  5. Assim Termina Um Grande Amor
  6. Abra a Boca E Fecha os Olhos

Pro Reviews: Moreira Da Silva

  • All Music Guide

    Moreira Da Silva is a fundamental Brazilian composer/interpreter. A Carioca, he brought to a major audience the genuine hill culture, with its malandragem (Carioca smartness) and its samba. Moreira Da Silva has a major achievement: He was the inventor of the samba de breque. Usually, the samba had, as other music, short breaks, which add to the rhythmic excitement of the piece. For the first time, in the recording of "Jogo Proibido" (included here), Da Silva began to improvise in speech between the verses of the song. As it was well accepted, he began to extend more and more the improvisations, until inserting some 30 seconds of humorous speech (and even dialogues) in the breaks, becoming famous at that. Along with that, he was a genuine malandro do morro (malandro from the hills), and his interpretations had the deepest Carioca spirit. Born in 1902 and deceased in June, 2000, singing until the very end, this compilation has some of the most expressive moments of his long and fertile c...areer: "Arrasta A Sandália," with which he knew his enormous success in the Carnival of 1933, the winner of the first Carnival contest "É batucada" (in the same year), two songs recorded with the fundamental Garoto and his regional ("Nega Zura" and "Cassino"), and "Implorar," the megahit from 1935 (backed by Pixinguinha's orchestra). The inlay brings a short biographic introduction and all lyrics. - Alvaro Neder, All Music Guide Read more Less

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Biography

Moreira da Silva

The son of a trombonist of the band of the military police, Moreira da Silva sang as an amateur in serestas at a very young age. In 1931, he recorded for the first time ("Ererê" and "Rei da Umbanda," both pontos de macumba by Amor for Odeon). He recorded another album for Odeon and moved to Columbia, where he recorded two hits for the Carnival of 1933: "Arrasta a SandÃ... Read more