Shopping > Music > Alecia Nugent > Little Girl...A Big Four-Lane

Alecia Nugent - Little Girl...A Big Four-Lane (CD)

Album Details: Little Girl...A Big Four-Lane

Release Date:02/28/2006
Label:Rounder / Umgd
UPC:011661056626

User Reviews: Little Girl...A Big Four-Lane

  • Overall:

    Lyrics:

    Music:

    Acoustic country w/ considerable mainstream appeal

    By Joe  Aug 27, 2006

    Pros: Good songs come from reputable Nashville writers; First-rate accompaniment

    Cons: -

    Playing Time – 46:29 -- Alecia Nugent, from Deville, La., joined her family band “Southland Bluegrass” in 1988 at age of 16. In 2001, under the name Alecia McRight, she released her debut solo album produced by Carl Jackson. In 2002, she signed wi...th Rounder Records. “A Little Girl…a Big Four-Lane,” also produced by Jackson, is an excursion into acoustic country with considerable mainstream appeal. The songs come from reputable Nashville writers, including Carl Jackson, Larry Cordle, Jerry Salley, Ronnie Bowman, Dixie and Tom T. Hall, and others. Touched personally by these songs, she feels they capture her own emotions and she can relate to them. The supporting accompaniment is similarly first-rate with top session men Carl Jackson, Andy Falco, Rob Ickes, Adam Steffey, Jim Van Cleve, Steve Sutton, Kevin Grantt, and Tony Creasman. Nugent delivers her lyrics with convincing emotion, and every note falls right into place. She gets accolades for covering many musical moods. Her no-holds-barred approach is best captured in the driving “Too Good To Be True” and “Breaking New Ground,” while she croons with heartbroken intensity on the ¾-time “A Dozen White Roses.” In a country duet with Bradley Walker, “When It Comes Down To Us” professes a strong love but also expects a certain amount of reciprocity. Alecia gets visceral with the bluesy “Muddy River,” and her delicate, subtle voicing is most apparent on “God Knows What” and “Where His Wheels Left The Road.” Bluegrass gospel gets the nod with “Meet Me In Heaven Someday,” and no set is complete without a sad bluegrass song like “I Cried All The Way To Kentucky” that was written as a tribute to Joe Carter. Joe must’ve been a fine person with a great sense of humor. The tastefully-rendered background vocals are provided by Alison Krauss, Rebecca Lynn Howard, Doyle Lawson, Cia Cherryholmes, Carl Jackson, Jamie Dailey and others. Alecia Nugent has a characteristic voice that will air nicely on radio stations open-minded to acoustic country and progressive bluegrass. With clarity of tone and purity of sound, Nugent’s enchanting repertoire will have considerable commercial success in a market looking for raw talent, unbridled energy and heartfelt emotion. (Joe Ross, Roseburg, OR.) Read more Less

Pro Reviews: Little Girl...A Big Four-Lane

  • All Music Guide

    Bill Monroe's music has undergone a sea change since Alison Krauss first burst upon the scene in the 1980s. Krauss threw the door wide open for other female traditionalists, while adding a modern sheen to the most rustic of country music styles. Alecia Nugent, like Krauss or even Dolly Parton, combines countryflavored vocals with a contemporary bluegrass sound on her sophomore effort, A Little Girl...A Big FourLane. What immediately strikes one, whether listening to the upbeat opener, "Too Good to Be True," or the quieter "God Knows What," is Nugent's confidence. She holds forth in a fullthroated style with a slight twang that reveals a singer who knows what she wants to accomplish and just how she's gonna do it. It doesn't hurt one's confidence to be backed by great players like Dobroist Rob Ickes, fiddler Jim Van Cleve, acoustic guitarist Andy Falco, and a number of other fine players. Interestingly, A Little Girl...A Big FourLane may be less pure than, say, a Stanley Brothers album ...from the 1950s, but Nugent does sound like real country, the kind like Loretta Lynn made during the 1960s. The key to the difference is that while a number of instruments banjo, mandolin, and fiddle are common to both country and bluegrass, bluegrass bands (even those who concoct a more contemporary sound) seldom use drums as Nugent does here (tastefully played by Tony Creasman). So A Little Girl...A Big FourLane is a solid followup for Nugent that should please both contemporary bluegrass fans and the folks who miss good oldfashioned country. - Ronnie D. Lankford, Jr., All Music Guide Read more Less

Compare Prices: Little Girl...A Big Four-Lane

Store Store Rating Price Notes/Coupons

Tower Records

51 Ratings

(41 Reviews)

Write a review

$15.34Total Price N/A New Item free us shipping for items over $25!!! Go to Store

Amazon.com Marketplace

48 Ratings

(29 Reviews)

Write a review

$11.49Total Price N/A New Item

4 Coupons & Deals

fantastic prices with ease & comfort of amazon
Go to Store

Barnes and Noble

Write a review

$13.99Total Price N/A New Item everyday low prices Go to Store

Rate & Write a Review: Little Girl...A Big Four-Lane

All fields marked with * are required
0 out of 5.0 stars
0 out of 5.0 stars
0 out of 5.0 stars
Maximum of 4,000 characters
Cancel

Rate & Write a Review: Little Girl...A Big Four-Lane

Thank You. Your review has been posted.
View your postClose

Biography

Alecia Nugent

She would later combine it with a traditional country style but Alecia Nugent grew up surrounded by traditional bluegrass music. Her father started the Southland Bluegrass Band the year Alecia was born and when she was old enough she joined the band and sang lead on Holly Dunn's hit, "Daddy's Hands". She was the band's lead vocalist by her late teens, adding some of the... Read more