Craven's Masterpiece
By Yahoo! Shopping User Feb 26, 2001
This is without doubt Cravens finest film to date and its unlikely he will ever make a better film. Shot on a shoe string budget Craven and his partner Sean S Cunningham, the man behind Friday the 13th, have created an Ugly, disturbing but brillian...tly made film. The Plot is loosely based upon an earlier film by a man named Ingmar Bergman called the Virgin Spring, and that film is in turn based upon an old, Swedish legend about a girl who is on her way to church when a group of shepherds rape and kill her. Her parents soon hear about this and decide to take bloody revenge upon her killers. This is basically what last house is about. But once you scrap away the cheap looking surface you will find a film which underneath is a whole lot more complex and much more meaningful. Craven made this film as a metaphor for the recent war in Vietnam, and after the killing spree of infamous killer Charles Manson. The Vietnam symbolism can be seen with the girls parents, happy ordinary Americans, moving into uncharacteristic bouts of extreme violence in order to avenge their daughters death. Also after all the blood shed and carnage the parents have achieved nothing as their daughter is still dead. The film is also a complex study of serial killers. Craven never for once lets the audience sympathise with the serial killers but does open a window of insight into how they have the power to kill. In one particularly, and possibly best in the whole film, scene the serial killers toy with the girls as if playing with a favourite toy but once the game gets out of hand the killers look down upon the carnage with sadden confusion as if their favourite toy has become broken. This film is also a very important one in the genre of horror, if thats what genre this incredibly complex film can be pigeon holed into. Before it there was only one horror film which dealt with serial killers and that was Psycho, which came nearly 12 years before it. If you compare the two films together Last House on the Left is by far the scarier and, in my opinion, the best. Psychos main killer, Norman Bates, lives along in a run down motel which no one ever visits. The killers in Last House on the Left dont live outside of society. These are people who could live just down the road from you, who on the surface seem like nice ordinary people but, without warning, are capable of lashing out in to such acts as torture, rape and murder. This is where the films true element of horror comes from, the people with in it who are out of control but are accepted by society, as Maris parents accept the killers into their home, with open arms.To be fair this film does have its faults. Krug, played by David Hess and Mari, played by Sandra Cassel turn in excellent performances. Maris friend, Phyllis Stone and the other two serial killers turn in average performances. Maris parents came straight from doing T.V soaps, and it shows. And the police men, well the less which is said about them the better is all I can say. The sound and picture quality are slightly poor, but which can be forgiven due to the films budget. And the sound track , written by lead actor David Hess, although good in parts, the song The road leads to no-where comes to mind, is generally too happy and for that reason unsuitable for the films content. But these are minor quibbles for an otherwise brilliant film which should be seen by all who is interested by the horror genre. But it is rather violent and as the tag line suggests To avoid fainting keep repeating, its only a movie, only a movie, only a movie. Read more Less
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