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Dion - King of the New York Streets (CD)

King of the New York Streets
$129.98
4.5 out of 5.0 stars 2 Ratings (2 Reviews)

Album Details: King of the New York Streets

Release Date:12/05/2000
Label:The Right Stuff
UPC:724352867721

Track List: King of the New York Streets

User Reviews: King of the New York Streets

  • Overall:

    Dion put the rock in Doo Wop

    By Yahoo! Shopping User  Dec 12, 2000

    For those unfamiliar with Dion DiMucci, but who love doo wop of the 50's & 60's, this is a great intro to the first white artist (who along with his group, the Belmonts) defined the white, mostly Italian street-corner group sound. The ballads aside ...(everybody did 'em then), there was a decided twist to doo wop that hadn't been heard before, a singular, almost rock & roll feel to what had been mostly a club blues-based, decidedly black genre. Listen to the original Diamonds or Crows or Drifters and you'll get the idea. The Jacks & Cadets nearly made the rock & blues ballad collide, but their bent was obviously comedic. Dion's vocals, which were almost pleading like Clyde McPhatter's, were backed by a group, who individually could have been leads themselves (proving this later on after Dion left with "Come On Little Angel"). After going solo, Dion surrounded himself with good studio backup artists (check out Donna the Prima Donna) and later proved he could carry a serious tune by himself with sweeping instrumentation, as in the heart-wrenching "Abraham, Martin & John." His imperfect vocalization, sometimes almost straining, as in "Little Diane" or "Love Came to Me," dug underneath the listener's skin, sometimes with a slow lead-in, followed by an almost angry delivery, other times with an almost lazy one. Except for pitch, he very well could have been a precursor to "the Boss," whose style of writing, although less innocent and keeping with the time, was similar. Dion made a minor comeback in the late 70's with "Written on the Subway Walls," which may have been a Boss or Little Steven tune - hell, it could have been Southside Johnny - but whoever gave him the inspiration, DiMucci has never lost that 'East Coast' feel to his music. The set is a fine cross-section of his career, and although he is an acquired taste, if you like one or two of his tunes, you'll probably like the majority of them. Long live Rock 'n' Roll!! Read more Less

  • Overall:

    Dion was the first Bruce Springsteen

    By Yahoo! Shopping User  Dec 11, 2000

    I had the lucky chance to hear Dion promote his new album on National Public Radio. With only his guitar in hand he sang live at the radio station: blues, folk, rock, pop. I was never much a fan but saw how talented he was vocally and the variety of... his strum techniques on guitar. If that weren't enough, his talk, though casual, had all the nuances of a poet, thought provoking, this guy has definitely been around and has thought out all he's experienced. A gentle power comes across in his songs and his own stories.On NPR he talked abut his friendship with Buddy Holly and he was suppose to take the same flight with him. He thought the $35 ticket price exuberant (the amount of rent for his parent's apartment for a whole month). So instead Dion took the bus as usual, only to discover that the plane had crashed, "rock-n-roll had died."Many song writers, including Bruce Springsteen, have given credit to Dion for inspiring their own careers. On this album the song, "Book Of Dreams," was written by Springsteen for Dion. A great collaboration. Read more Less

Pro Reviews: King of the New York Streets

  • All Music Guide

    Although Dion's career wasn't over when King of the New York Streets appeared, this three-CD package is likely to be the most thorough overview of his output to be heard in one place. "Most thorough" is not synonymous with "best music of his career," however, and while this box contains much of major significance, it really does slide downhill after the early '70s. That point is reached around the middle of the second disc, so that leaves about half of this material as average, or duller than average, stuff. In its favor, the box set has all the familiar hits from the salad days, from the Belmonts' "I Wonder Why" through "Abraham, Martin and John," as well as a number of fine cuts that are largely known only to collectors. Those include his hard-rocking 1965 cover of the obscure Bob Dylan song "Baby, I'm in the Mood for You"; the folk-rock version of Tom Paxton's "I Can't Help but Wonder Where I'm Bound" from the same era; the little-heard 1966 ABC single "My Girl the Month of May" (wi...th the Belmonts); the bluesy B-side "Daddy Rollin'"; and the anti-drug "Your Own Backyard." The post-early-'70s tracks do have their high points, like "(I Used to Be a) Brooklyn Dodger," but they're just not remotely on the same level as what precedes them. Anyone wanting to focus on Dion's best music can get more of it, in more concentrated doses and for about the same amount of money, by purchasing several other less extensive compilations that target a specific period of his work. - Richie Unterberger, All Music Guide Read more Less

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Biography

Dion

Bridging the era between late-'50s rock and the British Invasion, Dion DiMucci (b. July 18, 1939) was one of the top white rock singers of his time, blending the best elements of doo wop, teen idol, and RB styles. Some revisionists have tried to cast him as a sort of early blue-eyed soul figure, although he was probably more aligned with pop/rock, at first as the lead s... Read more