Hans Zimmer - King Arthur (Score) / O.S.T.
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Track List: King Arthur (Score) / O.S.T.
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- Tell Me Now (What You See)Download & Buy
- Woad To RuinDownload & Buy
- Do You Think I'm Saxon?Download & Buy
- Hold The IceDownload & Buy
- Another Brick In Hadrian's WallDownload & Buy
- Budget MeetingDownload & Buy
- All Of Them!Download & Buy
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Album Details: King Arthur (Score) / O.S.T.
- Release Date:
- 07/20/2004
- Label:
- Hollywood Records
- UPC:
- 720616246127
Pro Reviews: King Arthur (Score) / O.S.T.
| EXPERT RATING: From AMG Reviews Since Alan Jay Lerner wrote the libretto for the Broadway musical +Camelot in 1960, presentations of the legend of King Arthur and the Round Table have tended to focus, as that version did, on the romantic triangle between Arthur, his queen Guinevere, and the knight Lancelot. Director Antoine Fuqua's 2004 film King Arthur, however, which was produced by Jerry Bruckheimer, who is known for bigbudget action movies, is more interested in war than love; the three principals are shown on the poster (and cover of the soundtrack CD) in battle garb with weapons in their hands even Guinevere, who brandishes a bow and arrow. Prolific composer Hans Zimmer, then, has little reason to ape Frederick Loewe's stately +Camelot music. Instead, he comes up with some typical epic movie scoring, meant to accompany grand armies sweeping through the landscape. The strings soar with anthemlike (and occasionally portentous) melody, a choir voices alarm or anticipation, and there is plenty of work for the timpanists, augmented by drum programming, to reflect those pounding hooves and marching feet. But there is also another register. When Zimmer isn't going for overwhelmingly loud effects, he's going for extremely soft ones, to accompany the occasional moments of intimacy and the funerals that must follow the conflicts. There isn't much attempt at period accuracy, but Moya Brennan turns up here and there, notably on the leadoff song, "Tell Me Now (What You See)," to give things an Enya/Clannadlike ethereal Celtic feel. Unlike most albums of film music, which tend toward brief cues, this one deals in longer segments (with joke titles like "Another Brick in Hadrian's Wall" and "Do You Think I'm Saxon?"), the six orchestral tracks ranging in length from five and a half to 11 and a half minutes. In practice, however, that doesn't make much difference to the listening experience, since each segment is really a suite with different brief sections meant to underpin a specific scene. Zimmer, a fast worker (as all busy film composers must be), certainly isn't coming up with anything new here, but, as usual, he is competent and efficient with his effects. - William Ruhlmann, All Music Guide |
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Roots & Influences
Hans Zimmer Biography
Composer Hans Zimmer was born September 12, 1957 in Frankfurt, Germany; after relocating to London as a teen, he later wrote advertising jingles for Air-Edel Associates, and in 1980 collaborated with the Buggles on their LP The Age of Plastic and its...Full Hans Zimmer Biography
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