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New Orleans Rhythm Kings - Introduction: 1922-1935 (CD)

Introduction: 1922-1935
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Album Details: Introduction: 1922-1935

Release Date:12/30/1997
Label:Best Of Jazz
UPC:330751840502

Pro Reviews: Introduction: 1922-1935

  • All Music Guide

    Here, as stated in the title, is an introductory taste of classic jazz recorded during the years 192225 and 193435 by the New Orleans Rhythm Kings, a group that played a crucial role in the early development of the art of making jazz records. Key participants were cornetist Paul Mares, trombonist Geroge Brunies, clarinetist Leon Roppolo, saxophonist Jack Pettis and pianist Elmer Schoebel, who directed the ensemble from the piano using the pseudonym Husk O'Hare until being replaced, in 1923, by Mel Stitzel. Other important members were drummer Ben Pollack, trombonist Santo Pecora and New Orleans pianist and composer Jelly Roll Morton, whose July 1923 collaborations with this group constituted the first racially mixed jazz recordings ever made for a nationally distributed label. By the middle 1930s the personnel had changed dramatically to include trumpeter Wingy Manone, clarinetist Eddie Miller, drummer Gene Krupa and chortling vocalist Red McKenzie. Jelly Roll Morton is heard on "Clari...net Marmalade", "Mr. Jelly Lord" and "London Blues". A pity they didn't squeeze in the fourth Morton/NORK title, "Milenberg Joys". This is an excellent way to meet and get to know the NORK. The sound quality is quite good. Other historical reissue labels (Milestone and Challenge) have done a good job of presenting this group's recordings on compact disc; two volumes on Classics are occasionally marred by excessively scratchy surface noise. The 48track "Complete Set" on Challenge records is by far the best bet; if all you want is a little taste from the New Orleans Rhythm Kings, why then here it is, an introduction, as stated. - arwulf arwulf, All Music Guide Read more Less

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Biography

New Orleans Rhythm Kings

The New Orleans Rhythm Kings (NORK) were the finest jazz group to be on record in 1922, and the white band has served as proof that, even that early, African-Americans were not the only ones who could play jazz with individuality and integrity. The key members of the group (leader/cornetist Paul Mares, trombonist George Brunis, and clarinetist Leon Roppolo) were childho... Read more