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Maria Muldaur - I'm A Woman: 30 Years Of Maria Muldaur (CD)

Album Details: I'm A Woman: 30 Years Of Maria Muldaur

Release Date:05/04/2004
Label:Shout Factory
UPC:826663021929

User Reviews: I'm A Woman: 30 Years Of Maria Muldaur

  • Overall:

    Lyrics:

    Music:

    An amazing talent

    By Walter Five  Apr 29, 2004 | 2 out of 3 found this I'm A Woman: 30 Years Of Maria Muldaur review helpful

    Pros: outstanding female vocalist in jazz, folk & blues

    Cons: Midnight At The Oasis

    ONLY 30 years of her career? Ms. Muldar (formerly DeAmato) started back in the mid-60's singing folk with The Jim Kweskin Jugband, and in the early 70's distinguished herself with Joe Cocker's Mad Dogs & Englishmen, and again in the late ...70's with Jerry Garcia Band. Her latest albums have been in the Jazz/Blues formula, and sound every bit as good as her earlier work.If your only exposure to her is "Midnight At The Oasis" or that perfume commercial: "I can take home the bacon, fry it up in a pan...", you won't know how diverse she is. Take a chance and buy this one. Read more Less

  • Overall:

    Lyrics:

    Music:

    Very Best of Maria Muldaur

    By pholkiephred  May 6, 2004

    Pros: Variety

    Cons: Missing segments

    Just to clarify the review previously submitted by another gent-Maria Muldaur was not a member of Joe Cocker's Band-perhaps he was thinking of Rita Coolidge. The diversity of her career certainly should reflect her days with Jim Kweskin and Jerr...y Garcia though. Read more Less

Pro Reviews: I'm A Woman: 30 Years Of Maria Muldaur

  • All Music Guide

    It would be easy for different sets of fans to remember Maria Muldaur from different places and times. For folk fans, she started out as Maria D'Amato, a singer who belted out “I'm a Woman" and other saucy favorites for the Jim Kweskin Jug Band in the midsixties. For pop fans, Muldaur was the singer of the risqué “Midnight at the Oasis," a big hit in 1973. But the two singers can be put together by two words: saucy and risqué. This isn't to suggest that Muldaur couldn't sing pretty love songs like “Louisiana Love Call" or folksy country songs like “My Tennessee Mountain Home." Only that she made her rep singing about giving “you the shivering fits" in “I'm a Woman" and slipping off to a sand dune in “Oasis." Taking a cursory glance at the 19 selections on 30 Years of Maria Muldaur does little to disavow that rep. There are lively versions of “It Ain't the Meat (It's the Motion)," “Don't You Make Me High (Don't You Feel My Leg)," and “Me and My Chauffeur Blues." It would be a shamed, th...ough, if listeners allowed all of this sex appeal to obscure what a fine singer Muldaur is, or to shadow how well she handles the blues and old jazz. There's a lovely version of “Rockin' Chair," on which she's backed by saxophonist Benny Carter, and a nice, bluesy take on “It Feels Like Rain." While 30 Years leans towards Muldaur's work from the early seventies onward, all of her fans will enjoy a retrospective of a long, productive career. - Ronnie D. Lankford, Jr., All Music Guide Read more Less

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Biography

Maria Muldaur

Bestknown for her seductive '70s pop staple "Midnight at the Oasis," Maria Muldaur has since become an acclaimed interpreter of just about every stripe of American roots music: blues, early jazz, gospel, folk, country, RB, etc. While these influences were certainly present on her more poporiented '70s recordings (as befitting her Greenwich Village folkie past), Muldaur ... Read more