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Thomas Dolby - Hyperactive! (CD)

Album Details: Hyperactive!

Release Date:05/31/2005
Label:Emi Europe Generic
UPC:724349942028

Track List: Hyperactive!

  1. Hyperactive!
  2. She Blinded Me With Science
  3. I Scare Myself
  4. Key To Her Ferrari
  5. The Flat Earth
  6. Mulu The Rain Forest
  7. Europa And The Pirate Twins
  8. The Ability To Swing
  1. Radio Silence
  2. Cloud Burst At Shingle Street
  3. Windpower
  4. Screen Kiss
  5. White City
  6. Airhead
  7. Hot Sauce
  8. May The Cube Be With You

User Reviews: Hyperactive!

  • Overall:

    Its Wicked!!

    By Kat  Dec 23, 1999

    All the songs have a great beat, and its just wonderful to sit and listen to it.
    2 thumbs up, way way up!!

Pro Reviews: Hyperactive!

  • All Music Guide

    Although Thomas Dolby wasn't all that consistent in the 1980s, he certainly deserves to be recognized as one of the decade's major risk-takers. The new wave/synth-pop artist wasn't afraid to experiment, and while his experiments didn't always work, many of them did. Released in 1999, this collection focuses on his EMI output spanning the years 1982-1988, painting a generally impressive picture of him. The CD's most famous track is Dolby's quirky 1982 smash "She Blinded Me With Science," but he is equally strong on material that ranges from the infectious new wave hit "Hyperactive" and the jazz-influenced "The Key to Her Ferrari" (which British jazz singer Claire Martin interpreted in 1995) to the moody "The Ability to Swing," the eerie "Mulu the Rain Forest" and the humorous, Prince-influenced "Airhead." Less impressive but decent nonetheless are Dolby's version of George Clinton's "Hot Sauce" and the funk tune "May the Cube Be With You." For those seeking an introductory overview of D...olby's 1980s work, Hyperactive would be a logical place to go. - Alex Henderson, All Music Guide Read more Less

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Biography

Thomas Dolby

Though he never had many hits, Thomas Dolby became one of the most recognizable figures of the synth-pop movement of early-'80s new wave. Largely, this was due to his skillful marketing. Dolby promoted himself as a kind of mad scientist, an egghead that had successfully harnassed the power of synthesizers and samplers, using them to make catchy pop and light electro-fun... Read more