High Noon (1952) (Widescreen Edition; 2-Disc Set)

User Reviews: High Noon (1952)

High Noon (1952)
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4.4 out of 5.0 stars 5 Ratings (3 Reviews)
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    By Yahoo! Shopping User  May 20, 2006

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    By Yahoo! Shopping User  Feb 11, 2005

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    High Noon

    By Yahoo! Shopping User  Oct 22, 2004

    Pros: the pace of the film and the story

    Cons: the acting

    Time has not been kind to this classic. Gary Cooper was all right as the beleagured marshal, but the rest of the casting now looks pretty sad. Grace Kelly, in particular, looks hopefully out of place, and Lloyd Bridges and Lon Chaney were very much out of their depth. The science
    fiction "remake" ("Outland"), with Sean Connery, was much superior.

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    A western classic

    By Yahoo! Shopping User  Jun 10, 2003

    What more can one say? This vehicle is an absolute classic. It's a terrific "duster" and carries several messages, all worth hearing. And besides that, it's wonderful entertainment!!

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    The Lost Virtue Of Shame

    By Yahoo! Shopping User  Oct 23, 2001

    High Noon excels as a film on so many levels (acting, direction, editing, music) that it is tempting to fall back on the standard laundry list of greatness and leave it at that. The story, seen in context of the times (McCarthyism, blacklisting, 50's societal conformity) provides one with an opportunity to examine a theme which resonates throughout the plot and provides much of it's motivational strength- the lost virtue of shame. The fearful specter of impending doom is etched deeply on Gary Cooper's face, (due in part to the actor's multiple medical problems during filming) yet he cannot face the pain that shame would bring if he fails to simply do what he knows is right. Written by blacklisted author Carl Foreman at a time of rampant artistic persecution and personal betrayal, High Noon keeps the moral compass pointed towards true north. Face your enemies, do what is needed, keep your honor intact. Sadly, you will be traveling down a lonely road. Shame was scarce enough back in 1952 and is nearly non-existent today as part of our social structure. High Noon reminds us of the price paid when people forsake the virtues that shame enables. The ingrates inherit an earth filled with worthless badges.
    At least ol' Coop gets to go home with Grace Kelly.
    Great film, top drawer on any list.

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