Kurt Weill/Bertolt Brecht - Happy End
Product Information
Track List: Happy End
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- Prologue - Kurt Weill
- The Bilbao Song - Kurt Weill
- Lieutenants Of The Lord - Kurt Weill
- March Ahead - Kurt Weill
- Time In A Shot Glass - Kurt Weill
- The Sailor's Tango - Kurt Weill
- Entr'Acte - Kurt Weill
- The Sailor's Tango - Kurt Weill
- Brother, Give Yourself A Shove - Kurt Weill
- Song Of The Big Shot - Kurt Weill
- Don't Be Afraid - Kurt Weill
- In Our Childhood's Bright Endeavor - Kurt Weill
- The Liquor Dealer's Dream - Kurt Weill
- The Mandalay Song - Kurt Weill
- Goddam It - Kurt Weill
- Surabaya Johnny - Kurt Weill
- The Heist - Kurt Weill
- Ballad Of The Lily Of Hell - Kurt Weill
- Song Of The Big Shot (Reprise) - Kurt Weill
- In Our Childhood's Bright Endeavor (Reprise) - Kurt Weill
- Epilogue - Kurt Weill
- The Bilbao Song (Reprise) - Kurt Weill
More Kurt Weill/Bertolt Brecht CDs and Albums
Album Details: Happy End
- Release Date:
- 02/06/2007
- Label:
- Ghostlight
- UPC:
- 791558441826
Pro Reviews: Happy End
| EXPERT RATING: From AMG Reviews Given the longterm success of Kurt Weill and Bertolt Brecht's 1928 German musical The Threepenny Opera, it is curious that their 1929 German musical Happy End was so unsuccessful. Michael Feingold, theater critic for The Village Voice, who created the Englishlanguage adaptation, writes in his liner notes to this, the firstever Englishlanguage recording, that "What went wrong was a spurofthemoment event: On � opening night [September 2, 1929, in Berlin], just before the finale [Helene] Weigel [Brecht's wife], playing [the part of] The Fly, apparently departed from her last speech (most likely with Brecht's connivance), haranguing the audience, which booed and shouted back. The morning papers blasted the whole thing as another of Brecht's badboy stunts; riotshy ticket buyers in that tense city stayed away in droves." That may help explain the initial response to a work that attacked the rich and the ruling class in a time and place in which Nazism was on the rise. It does not explain the subsequent obscurity of the show, especially given the popularity of the essentially similar The Threepenny Opera and the presence in the score of two Brecht/Weill standards: "The Bilbao Song" (which became a hit for Andy Williams in 1961 with an English lyric written by Johnny Mercer) and "Surabaya Johnny," a muchsung and recorded torch song popular with nightclub singers. The Feingold adaptation was staged at the Brooklyn Academy of Music starting on March 8, 1977, with a cast featuring Meryl Streep and ran 37 performances before being transferred to Broadway for an additional 75. Yet it took another 29 years before the American Conservatory Theater in San Francisco mounted the production that resulted in this album. It demonstrates that Happy End is not only a companion piece to The Threepenny Opera, but also something of a precursor to Guys and Dolls with its plot about the romance between a gangster and a member of the Salvation Army. Of course, Weill's music is nothing like Frank Loesser's for Guys and Dolls, while being very much like that of The Threepenny Opera, with a dash of hymn music thrown in, and Brecht's treatment of the story, beginning and ending with a sarcastic tribute to the Fords and Rockefellers of this world, is a much more serious depiction of the demimonde than Loesser's musicalcomedy treatment. The show may never achieve the recognition of The Threepenny Opera, but it deserves to be part of the Weill canon, and this recording is an excellent account of the score. - William Ruhlmann, All Music Guide |
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Kurt Weill/Bertolt Brecht Biography
A German composer. Searching for music and words that would directly affect and address their contemporaries, Weill and Bertolt Brecht had a big hit with the Mahagonny-Songspiel (1927) in Berlin (it was expanded to a full stagework in 1930). Represen...Full Kurt Weill/Bertolt Brecht Biography
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