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Hands Across the Sea [Elektra/Asylum]

The Band of the Grenadier Guards - Hands Across the Sea [Elektra/Asylum]

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Track List: Hands Across the Sea [Elektra/Asylum]

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  1. Hands Across The Sea - J.P. Sousa
  2. Imperial Edward March - J.P. Sousa
  3. The Thunderer - J.P. Sousa
  4. The Belle Of Chicago - J.P. Sousa
  5. The Invincible Eagle - J.P. Sousa
  6. The White Plume March - J.P. Sousa
  7. The Fairest Of The Fair - J.P. Sousa
  8. From Maine To Oregon March - J.P. Sousa
  9. The Gladiator March - J.P. Sousa
  10. The Dauntless Battalion - J.P. Sousa
  11. The Washington Post - J.P. Sousa
  12. The Lambs' March - J.P. Sousa
  13. Manhattan Beach - J.P. Sousa
  14. The Review - J.P. Sousa
  15. King Cotton - J.P. Sousa
  16. Power and Glory: March Of The Mitten Men - J.P. Sousa
  17. The High School Cadets - J.P. Sousa
  18. The Century Of Progress - J.P. Sousa
  19. Semper Fidelis - J.P. Sousa
  20. The Crusader - J.P. Sousa
  21. 'El Capitan' March - J.P. Sousa
  22. Daughters Of Texas - J.P. Sousa
  23. The Liberty Bell - J.P. Sousa
  24. Sabre And Spurs: March Of The American Cavalry - J.P. Sousa
  25. The Stars And Stripes Forever - J.P. Sousa

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Album Details: Hands Across the Sea [Elektra/Asylum]

Release Date:
05/02/1995
Label:
Teldec
UPC:
745099606121

Pro Reviews: Hands Across the Sea [Elektra/Asylum]

EXPERT RATING:   

From AMG Reviews

John Philip Sousa lived from 1854 to 1932. He was therefore not present among the Band of the Grenadier Guards, whose album of 25 Sousa marches was released by Elektra/Asylum in 1995. Sousa's brilliantly conceived and remarkably precise compositions, when rendered by an ensemble of this caliber, still convey the refreshing integrity and unity of purpose that caused his music to become so immensely popular at the end of the 19th century. Its appeal (among those who are so inclined) never diminished throughout the 20th century and has continued unabated into the 21st. There are two ways to listen to Sousa, and both are highly recommended. First, track down historical recordings of John Philip Sousa leading his own band. Next, treat yourself to a modern album of interpretations, preferably played by the Band of the Grenadier Guards. A third joyous possibility exists in the form of Anthony Braxton's ambitious experiment in the Sousabased march form, as realized on Braxton's excellent albums Creative Orchestra Music 1976 and Creative Orchestra (Koln) 1978. Braxton's adventuresome extensions of the tradition are mentioned in order to emphasize the fact that there are no limits to the possibilities suggested by the music of John Philip Sousa.

- arwulf arwulf, All Music Guide



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