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By Yahoo! Shopping User Jan 10, 2007
Pros: رما
06;تیک
Cons: عشق
GONE WITH THE WIND is without doubt a great, great film. It has probably been seen by more people than any other film in history. I saw it for the first time in a theater in 1968, when, on its re-release, it was playing to capacity houses. I saw it ...again on its re-release in 1971 and again in 1976. In both instances it was again playing to full theaters. When the movie was released in 1939, the average movie ticket was probably around fifty cents. Today, if the average price for a movie ticket is nine dollars, it is easy to calculate that GONE WITH THE WIND is the most fiscally successful film in history, and the reason for this can only be because it is one of the most beloved. And with good reason. This is a magnificent cinematic achievement, whether by the standards of 1939 or of any other year. I would take it any day over the computer-generated nonsense being churned out today. It is probably the most written-about movie ever, with the exception of CITIZEN KANE, so there isn't much to add to it except a few personal observations: 1. Watching the film again recently, it seemed that every single scene was perfectly written, directed and acted. There isn't a moment I would like to see discarded. 2. Many people think that the sexiest moment in movie history comes when Scarlett is shown the morning after she's been taken forcibly up the stairs to the bedroom of her husband, Rhett Butler. 3. The character of Scarlett is the most memorable heroine in film history and quite likely the greatest feminine role ever adapted for the screen from a novel. Vivien Leigh's performance is no less than spectacular. It was Miss Leigh's great fortune to have played not only Scarlett but A STREETCAR NAMED DESIRE's Blanche DuBois, who is arguably the greatest role ever written for a stage play. 4. The character of Rhett Butler was probably written with Clark Gable in mind, and he brings a stalwart virility to the role which is exactly what is needed. But does it matter whether Gable or Gary Cooper (who was certainly considered) or anyone else played Rhett? Anyone who played him would certainly have been deemed the definitive Rhett. 5. Olivia de Havilland's Melanie tends to remain a stereotype of a too-good-to-be-true counterpart to Scarlett, although there are a handful of scenes when she breaks away from the mold and shows true mental and moral fortitude. In the scene where Scarlett shoots the Yankee deserter on the staircase at Tara, Melanie, appearing from above with a sword almost too heavy for her to lift, quickly assesses the situation and shouts to the family that Scarlett had just been tinkering with the gun when it went off. Later, she covers for Rhett in the scene where be brings the wounded Ashley home from the raid on Shantytown, pretending that Ashley had been with him all evening at Belle Watling's. Her best moment comes when she approaches Scarlett at Ashley's birthday party after rumors of an affair have been circulating; her face is eloquently neutral, as though she were ready for all-out warfare, and we wait for the worm to turn. It doesn't. Instead, she embraces Scarlett and asks her to help her receive her guests. She never sees the bad in anybody. She is a true lady. 6. The early scenes in the movie are relatively light and frothy as the principals emerge and the atmosphere is established. The first change of tone comes from the reading of the Gettysburg death list--and it's a shocker. From a shot of the hushed crowd waiting outside the newspaper office, the camera zooms to a list of the names of those killed in action as cries of horror penetrate the soundtrack. We see Scarlett and Melanie breathlessly scanning the list in fear that Ashley's name may be among the casualties, and then there is a shot to the mournful crowd and finally to the pitiful band who defiantly strike up "Dixie" as tears flow down their anguished faces. 7. The atmos Read more Less
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