A Girl Called Eddy - Girl Called Eddy
Product Information
Track List: Girl Called Eddy
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- Tears All Over TownDownload & Buy
- KathleenDownload & Buy
- Girls Can Really Tear You Up InsideDownload & Buy
- The Long GoodbyeDownload & Buy
- Somebody Hurt YouDownload & Buy
- People Used To Dream About The FutureDownload & Buy
- HeartacheDownload & Buy
- Life Thru The Same LensDownload & Buy
- Did You See The Moon TonightDownload & Buy
- Little BirdDownload & Buy
- GoldenDownload & Buy
Album Details: Girl Called Eddy
- Release Date:
- 08/10/2004
- Label:
- Anti
- UPC:
- 045778671922
Pro Reviews: Girl Called Eddy
| EXPERT RATING: From AMG Reviews Three years after the sensational Tears All Over Town EP, Great Britain's Erin Moran (aka A Girl Called Eddy) issues her debut longplayer in the United States via the maverick Epitaph subsidiary Anti. Produced with aplomb by Richard Hawley and Colin Elliot, this selftitled outing is an exercise in melancholy, depth, intimacy, and pure pop sophistication. Moran's songwriting approach is unabashedly romantic; it's torchy yet sweet, and her love of songwriters from Scott Walker to Burt Bacharach to Brian Wilson to Jim Webb is everywhere evident. In addition, her voice is a dead cross between Chrissie Hynde's and Karen Carpenter's. Hawley and Elliot have a symbiotic empathy for Moran's method. While she holds down the piano chores, this pair play all manner of guitars, basses, and electric keyboards with Shez Sheridan and Andy Cook, and selectively employ string and horn sections where appropriate. She reprises two cuts from the previous offering in the devastating ballad "Heartache" (which quotes the piano intro to the Carpenters' "Close to You") and the aching "Girls Can Really Tear You Up Inside." The album opens with the blueeyed soulpop of "Tears All Over Town," with its ringing Rickenbacker guitars, swirling strings, and rich piano textures. It is followed by the genuinely sad, lossdrenched "Kathleen," written for Moran's late mother, with acoustic and electric guitars starkly winding around a skeletal string section; above it all Moran's voice haltingly expresses its grief. There is a big production number as well in "People Used to Dream About the Future," with its crashing waves of keyboards and strings and a bridge to die for. There's the jaunty cabaret pop of "Life Thru the Same Lens," the hushed, emotionally loaded "Did You See the Moon Tonight," and the heartbreak rock roll of the album's closer, "Golden." In all, A Girl Called Eddy is a multitextured, multidimensional journey into grand pop literacy; Moran's songs are examples of exquisite taste that is never cheeky or dishonest. On her album the heart speaks with grace, elegance, and force. - Thom Jurek, All Music Guide |
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A Girl Called Eddy Biography
Not playing into her androgynoussounding performing name, A Girl Called Eddy matches the grace of Karen Carpenter and the brutal honesty of Aimee Mann and Beth Orton. She emerged in the thicket of pop radio queens (Jessica Simpson, Avril Lavigne) dur...Full A Girl Called Eddy Biography