Pink - Funhouse (CD)

All Music Guide

Richard Thompson compared his bumpy marriage to Linda Thompson to a rollercoaster named the "Wall of Death" and Pink picks up this carnivalesque thread, calling her troubled relationship with motocross star Carey Hart a Funhouse on her own entry into a long prestigious line of autobiographical divorce albums that stretches back to Blood on the Tracks. Naturally, Funhouse doesn't have any musical similarities with either Blood or Shoot Out the Lights, but Pink's divorce album is also emotionally different than either of these classics or Marvin Gaye's Here My Dear. Dylan, Thompson and Marvin layer their albums with selfrecriminations and ruminations, niceties that Pink shrugs off in one song, the brooding "I Don't Believe You." Other songs allude to the pain of the separation but never in a way that dig deep the musically fine bluesrocker "Mean" trots out clichés, the delicate spooky Stevie Nicks folk of "Crystal Ball" skirts the divorce and far from being a primal scream, "Please Don'...t Leave Me" surges on a Max Martin hook that pushes away the pain. But as Pink makes clear with the albumopening single "So What" also cowritten with Martin she's more than ready to get out of this relationship, thrilled that she's still a rock star, still drinking in the afternoon. That her enthusiastic hedonism kind of contradicts the letter of her Britneybaiting "Stupid Girls" doesn't mean that it violates the spirit, as this is still the same Pink, the one that spits out jokes as she rumbles. This snotty stance is second nature to her, so maybe that's why Funhouse only really clicks when Pink abandons any pretense of mourning her relationship and just cuts loose with galumphing rhythms and schoolyard taunts, the kind that fuel both "So What" and "Bad Influence" and make them instantly indelible. This kind of oversized, obnoxious pop is where Pink's heart is at she's ready to party and as long as the tempo is high, Funhouse is a ride, empowered by her postdivorce freedom. In a way, that does make Funhouse unique among divorce albums as it's the first to concentrate on liberation not loss, but if she was going to go in this direction Pink may have been better off not pretending that she's bothered by the breakup. - Stephen Thomas Erlewine, All Music Guide Read more Less