Linda Thompson - Fashionably Late
Product Information
Track List: Fashionably Late
Click on or song title to hear an audio clip. Windows Media player is required.
- Dear MaryDownload & Buy
- Miss MurrayDownload & Buy
- All I SeeDownload & Buy
- Nine Stone RigDownload & Buy
- No TellingDownload & Buy
- Evona DarlingDownload & Buy
- The Banks Of The ClydeDownload & Buy
- Weary LifeDownload & Buy
- Paint & Powder BeautyDownload & Buy
- Dear Old Man Of MineDownload & Buy
More Linda Thompson CDs and Albums
Album Details: Fashionably Late
- Release Date:
- 07/30/2002
- Label:
- Rounder / Umgd
- UPC:
- 011661318229
User Reviews: Fashionably Late
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Outstanding album
, January 21, 2005Reviewer: cpnduncan - See all cpnduncan's reviews -
One of my favourite 2002 releases
, December 18, 2002Reviewer: mocktudor2002 - See all mocktudor2002's reviewsEven for those who've never heard Linda Thompson sing the wonderful Dimming of the day, her new release Fashionably late is a must-have.
It's great to have her back, as it wasn't very likely she would ever sing again, having retired from the music business in 1985.
I've never heard anybody sing with so much passion and, at the same time, self control. Though her voice has, I think, slightly changed since the eighties, she's still as good as before, as far as emotions are concerned. I'm almost in tears when I listen to the outstanding ballad "Dear old man of mine".
What's more, the songs (most of them cowritten by her and son Teddy) are very enjoyable. Sadly enough, she was never known for writing songs, even though she did various good collaborations in the mid-eighties. Well, now, we all know how good a writer she is. Her songs are both sad and powerful. No matter why or how she happened to write them .. I just hope she can do it again, some day.
Unless you are a Britney Spears fan, you will enjoy this record, I bet you. It's really great music. And it's good to have Richard Thompson on the opening track "Dear Mary". He's such an amazing guitar player. ...
read all (2) user reviews for Fashionably Late
Pro Reviews: Fashionably Late
| EXPERT RATING: From AMG Reviews Linda Thompson's first recording in 17 years is a stunning brace of poetics and grace. For a woman who literally lost her voice for more than a decade due to a stress disorder, Thompson reveals that she is at full strength as a vocalist, and perhaps more importantly, with this recording she clearly establishes herself as a songwriter as well. Recorded in the U.S. and in England, Fashionably Late feels like less of a comeback offering than it does an elegant statement of aesthetic from a talent who, along with Sandy Denny and Jacqui McShee, literally defined these terms for the British folk genre. There are many guests on this ten-song set, including Kate and Joe Rusby; Martin and Eliza Carthy; Van Dyke Parks; Dave Mattacks; Chris Cutler; Dave Pegg; Rufus and Martha Wainwright; Danny Thompson; ex-husband Richard; daughter Kamila Thomspson; and, her prime songwriting collaborator and guitarist, son Teddy Thompson. Produced by Edward Haber, who helped her assemble her retrospective Dreams Fly Away, Fashionably Late is devoid of special effects or studio magic. In stark contrast to One Clear Moment, her first solo effort, this is, primarily, a folk record that harkens back to the recordings that defined her voice without going into the past for material. And it is the voice that defines these songs. Ms. Thompson and/or son Teddy wrote or co-wrote the lion's share of the material here. Songs such as the opener "Dear Mary," offered in a lilting, country-ish vein, illustrate that economy of musical and lyrical language often adds to the emotional power a song is capable of deliver. This track in particular is of interest in that it features a reunion with Richard on guitar and backing vocals, as well as being the first ever track on which the entire family is featured along with bassist Danny Thompson (no relation). The confidence Thompson has, perhaps due in no small part to the appearance of her son at her side, is simply astonishing. In the Scottish murder ballad "Nine Stone Rig," she recounts a tale so chilling and bleak, one would think the murderer had sung it. On "The Banks of the Clyde," which Ms. Thompson wrote for her brother, she recounts with a staggering sense of heartbreak a broken woman's reiterating her life in a letter, and the fervent wish to return home. Lal Waterson's "Evona Darling" is executed with crystalline purpose and majesty, as Linda and Teddy trade verses and Parks accompanies the lone acoustic guitar on accordion. There is humor, too, on "Weary Life," co-written by the Thompsons in which a married woman of some years recounts how being single is the only choice for a woman in the present day. With a sardonic delivery and Eliza Carthy's violin playing a lyrical counterpoint, the irony and wit is both unmistakable and refreshing. One of the album's standout tracks in both quality and originality is "Paint and Powdered Beauty" that Linda Thompson co-wrote with Rufus Wainwright. It's a ballad that, with its lush string arrangement and subtle cast melody, could have been written by Jerome Kern or Sammy Cahn. Martin Carthy's exquisitely chosen chord shapes in counterpoint to the string section are breathtaking. Thompson's ability to carry a song like this, so completely at odds with her forte, is a testament to her virtuosity. Despite the fact that Fashionably Late took literally years to make, it's remarkable sequencing and continuity leave no seams. This is a comeback record to be proud of; it not only sates the appetite of those fans who felt Linda Thompson left the scene too abruptly, but it is also the British folk record that everyone interested in the genre has been waiting such a long time for. - Thom Jurek, All Music Guide |
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Linda Thompson Biography
Born Linda Pettifer, Linda Thompson, then known as Linda Peters, made an inauspicious debut as half of Paul Linda in 1968. The duo, which included singer Paul McNeill, recorded two singles, the first being a cover of Bob Dylan's "You Ain't Goin' Now...Full Linda Thompson Biography
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Pros: First class songwriting, excellent musicianship, Linda's incomparable voice
Cons: Albums half as good will sell twice as well
Anyone who admires Richard and Linda Thompson's work will be delighted to find that this album is as good as anything they have ever done. Anyone who admires music of the highest quality will find more to enjoy with each listening. An essential album.