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Antonio Carlos Jobim - Em Minas ao Vivo: Piano e Voz (CD)

Em Minas ao Vivo: Piano e Voz
$17.47
5 out of 5.0 stars 1 Rating (0 Reviews)

Album Details: Em Minas ao Vivo: Piano e Voz

Release Date:08/22/2006
Label:Jbf
UPC:7898324753008

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Pro Reviews: Em Minas ao Vivo: Piano e Voz

  • All Music Guide

    Brazil's greatest songwriter, Antonio Carlos Jobim, admittedly preferred working in the shadows of the recording studio to the openness of the concert stage, and although, during the earlier part of his career, he dutifully stepped out to perform his compositions, by the late '60s and 1970s he had become a more reclusive figure. The 1980 death of his chief inspiration and arguably most successful collaborator, Vinicius de Moraes (with whom Jobim wrote "The Girl From Ipanema," among many others), hit Jobim hard and brought him back to his adoring public to share his music more visibly. This CD is the naked Jobim, the man and his piano, performing solo for the first time in 20 years, recounting 18 of his greatest achievements in Minas, Brazil in March 1981. Although he professes shyness (fortunately, the liner notes translate part of Jobim's allPortuguese stage patter, included on the disc in its unedited form, for better or worse), Jobim onstage is confident and homey. The warmth of his... songs transfers easily to his performing manner, resulting in an intimate evening of classic Brazilian song. Jobim on the piano is never fancy, and as a vocalist he's rough but honest. Besides, for this audience he could do no wrong. Opening with two of his biggest hits, "Desafinado" and "Samba de Uma Nota So" (One Note Samba), both cowritten with Newton Mendonca, Jobim pays tribute to his most important collaborators one at a time, among them Dolores Duran (who cowrote the set's lone instrumental "Sun Road"), Aloysio de Oliveira, Chico Buarque and, of course, de Moraes. Jobim also tosses in a handful of pieces written solo. Saving "The Girl From Ipanema" for last, he practically gives it lip service with an undertwominute perfunctory runthrough that he cuts short. Perhaps he was simply tired of the song, but it's still a moving rendition, Jobim's way of leaving his lucky audience with something to remember him byas if they'd ever forget this evening. - Jeff Tamarkin, All Music Guide Read more Less

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Biography

Antonio Carlos Jobim

It has been said that Antonio Carlos Brasileiro de Almeida Jobim was the George Gershwin of Brazil; and there is a solid ring of truth in that, for both contributed large bodies of songs to the jazz repertoire, both expanded their reach into the concert hall, and both tend to symbolize their countries in the eyes of the rest of the world. With their gracefully urbane, s... Read more