Elvis Presley - Elvis as Recorded at Madison Square Garden
Product Information
Track List: Elvis as Recorded at Madison Square Garden
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- Introduction: Also Sprach Zarathustra (Theme from 2001: A Space Odyssey)Download & Buy
- That's All RightDownload & Buy
- Proud MaryDownload & Buy
- Never Been To SpainDownload & Buy
- You Don't Have To Say You Love MeDownload & Buy
- You've Lost That Lovin' Feelin'Download & Buy
- Polk Salad AnnieDownload & Buy
- Love MeDownload & Buy
- All Shook UpDownload & Buy
- Heartbreak HotelDownload & Buy
- Medley: (Let Me Be Your) Teddy Bear/Don't Be Cruel/Love Me TenderDownload & Buy
- Love Me TenderDownload & Buy
- The Impossible DreamDownload & Buy
- Introductions By ElvisDownload & Buy
- Hound DogDownload & Buy
- Suspicious MindsDownload & Buy
- For The Good TimesDownload & Buy
- American TrilogyDownload & Buy
- Funny How Time Slips AwayDownload & Buy
- I Can't Stop Loving YouDownload & Buy
- Can't Help Falling In LoveDownload & Buy
- End ThemeDownload & Buy
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Album Details: Elvis as Recorded at Madison Square Garden
- Release Date:
- 03/01/1992
- Label:
- Bmg / Elvis
- UPC:
- 078635477627
User Reviews: Elvis as Recorded at Madison Square Garden
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Untapped Energy
, June 9, 2000Reviewer: alhenryclay - See all alhenryclay's reviewsThis album captures just the surface of the raw energy of Elvis Presley's music - particularly his live performances. Nothing quite like his versions of Proud Mary, Never Been To Spain and You've Lost That Lovin' Feelin. If you're tired of the same old techno cookie cutter sound and have never heard this album - you don't know what you've been missing! By the way, if you're not a fan of this music - then you've got one thing in common with John Lennon ... NOT! Because John Lennon was at this concert - in the audience. ...
read all (1) user reviews for Elvis as Recorded at Madison Square Garden
Pro Reviews: Elvis as Recorded at Madison Square Garden
| EXPERT RATING: From AMG Reviews This was one of several live recordings by "the King" to appear during the early '70s and was extremely popular, owing to the quality of the performance and the range and number of songs included, as well as the timing of its release older fans, having been denied Elvis Presley's presence on stage for more than a decade, responded to his sudden reemergence with more enthusiasm than they'd shown for any of his nonhits albums in years; and new listeners, too young to have heard him in the 1950s but latching onto Elvis either directly or as part of the oldies boom, started checking out what all of the excitement was about. The show itself, from June 10, 1972, is the more elaborately produced followup to his Las Vegas performances of 19691970, Elvis backed by an eightpiece band, an orchestra, and at least eight male and female backup singers (including the Sweet Inspirations) once one gets past the opening fanfare of "Also Sprach Zarathustra," there isn't a lot of difference between this and the best of his Vegas shows, except that Elvis is a lot more confident and selfassured here than he is at the early post"comeback" concerts. Emboldened by the success of those releases and the fact that he was able to sell out arenas like the Garden, RCA also did something here that they hadn't taken the chance on doing with his previous live albums, loading it up with songs new and old, and also a generous 52 minutes' running time. As with all of his shows of this era, the King interspersed his own established repertory which embraced everything from "That's All Right" to "Suspicious Minds" with songs identified with other performers: "Proud Mary," "You Don't Have to Say You Love Me," and "You've Lost That Lovin' Feeling" were all very suitable for him. Presley was in good form for this show and, by all accounts, this series of concerts, and gave beautifully wrought performances of the ballads, as well as highly energetic renditions of the harder rocking numbers. The sound is surprisingly close, betraying little of the cavernous acoustic of Madison Square Garden there is, conversely, very little audience ambience as well, but that's not terribly important, either; much more to the point is that the accompaniment, from James Burton's guitar on down, is all captured reasonably well, thus making this one of the best of the bigvenue Elvis Presley concert documents available: exciting, diverting, and mostly impressive as a performance. The American CD reissue is decent enough, and a midpriced bargain, but the 2001 vintage Japanese 24bit/96k digital remastering has to be heard to be believed. - Bruce Eder, All Music Guide |
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Elvis Presley Biography
Elvis Presley may be the single most important figure in American 20th century popular music. Not necessarily the best, and certainly not the most consistent. But no one could argue with the fact that he was the musician most responsible for p...Full Elvis Presley Biography
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