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Ronnie Earl & Duke Robillard - Duke Meets The Earl (CD)

Duke Meets The Earl
$11.82 - $14.46
5 out of 5.0 stars 1 Rating (0 Reviews)

Album Details: Duke Meets The Earl

Release Date:03/08/2005
Label:Stony Plain Music
UPC:772532130325

Pro Reviews: Duke Meets The Earl

  • All Music Guide

    The Duke Meets the Earl seems like an obvious album, pairing two of New England's finest contemporary blues guitarists, Duke Robillard and Ronnie Earl, who both share the same sort of hard, clear tone in their playing (Earl actually replaced Robillard in Roomful of Blues when the latter left the group for a solo career). For Earl, who has been working in a kind of jazz blues hybrid style in recent years, it marks a return to straight blues, and with guests like Jimmy McGriff and Mighty Sam McClain aboard on select tracks, The Duke Meets the Earl has the feel of a super session. Throughout Earl's guitar is featured in the left channel and Robillard's in the right, leading to some wonderful guitar dialogues, particularly on an epic, nearly 16 minute long version of Walter Price's "My Tears." Another extended workout occurs on "A Soul That's Been Abused," an Earl original, which features McClain on vocals and stretches out to just over 13 minutes long. McGriff brings his Hammond B3 ma...gic to two cuts, Eddie Taylor's "Lookin' for Trouble" and B.B. King's "I Need You So Bad," while the B3 part on "A Soul That's Been Abused" is handled by Dave Limina. Other highlights include covers of TBone Walker's "Two Bones and a Pick," Magic Sam's "What Have I Done Wrong," and Earl's smooth, clear slide style on another original, "Zeb's Thing." With only eight tracks, but clocking in at over seventy minutes, The Duke Meets the Earlgives these two fine guitarists plenty of room to talk to each other, and the result is a classy set of nofrills contemporary blues, with just the slightest hint of jazz to keep it all smooth. - Steve Leggett, All Music Guide Read more Less

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Biography

Ronnie Earl

One of the finest new blues guitarists to emerge during the '80s, Ronnie Earl often straddled the line between blues and jazz, throwing in touches of soul and rock as well. His versatility made him one of the few blues guitarists capable of leading an almost entirely instrumental outfit and his backing band the Broadcasters became one of the more respected working units... Read more