Maurice el Medioni/Roberto Rodriguez - Descarga Oriental: The New York Sessions (CD)

All Music Guide

On first thought, one might be hardpressed to find a common ground between Algerian raï music and Latin jazz. But for the pianist Maurice el Médioni, an Algerianborn Jew who left his home for France decades ago as an exile, and the Cubanborn, New Yorkbased percussionist Roberto Rodriguez, the link connecting North Africa and Cuba is a direct oneby way of Spanish Andalusia. World music fusion exercises are more common all the time, and cultural distinctions often become so blurred that the sources are obscured rather than accented. Not here though: a septuagenarian at the time this was recorded, el Médioni's socalled "PianOriental" keyboard lines find the ideal balance between his raï heritagethe flamencoinfluenced popfolk style originated in Oran, Algeria and was in large part popularized by el Médioniand the more familiar AfroCuban rhythms in which Rodriguez excels. The compositions all emanate from el Médioni, who first played Latin music as a teenager when Puerto Rican soldiers sat ...in with him in the cafes of Oran. But perhaps because Rodriguez arranged and produced the session, and presumably brought in the supporting musicians, the set tends to tilt more toward the Latin half of the equation than the North African. Instruments native to both Cuba (trés) and North Africa (darbuka) are incorporated into the mix, and elements of Spanish, French and Jewish idioms all pop in and out. But the album's generous reliance on Latinstyle trumpet soloing, Rodriguez's swinging rhythms, and el Médioni's careerlong interest in Latin music, anchors the jams and never takes them too far from the island whose music has so influenced these players. It's an invigorating, inspired pairing, for sure, and one that makes even more sense when heard than when presented theoretically on paper. - Jeff Tamarkin, All Music Guide Read more Less