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Pantera - Cowboys from Hell (CD)

Album Details: Cowboys from Hell

Release Date:07/24/1990
Label:Atlantic / Wea
UPC:075679137227

Other Available Formats: Cowboys from Hell

User Reviews: Cowboys from Hell

  • Overall:

    A Review for Cowboys from hell

    By Yahoo! Shopping User  Oct 7, 2001 | 1 out of 1 found this Cowboys from Hell review helpful

    This is a great album, It is the first album with lead singer Phillip Anselmo. Cementary Gates is a master piece the solo and rifts in this song are killer. Domination is a song to remember and they play it at every concert. Cowboys from hell is one ...to remember and sticks with you. Primal Concrete Sledge is a song to turn up as load as you can. I think you get the meaning of the rest of the album. A load, pissed, heavy metal. Read more Less

  • Overall:

    Say it when you play it

    By Yahoo! Shopping User  Mar 7, 2001 | 1 out of 1 found this Cowboys from Hell review helpful

    I got this cd from a defunct radio station in 1990. What few people know about is the extremely rare vinyl of thier first unknown album (probably just called Pantera) which has a completely different sound. Anyhow, Cowboys from hell put Pantera on to...p with a unique sound, and Phil Anselmo force feeds the lyrics with dynamic range. "Cemetary gates" and "The sleep" are slow and mandatory. "Domination" is a headbanger's favorite with repetition. "The art of shredding" is the last, but not at least last if you fire it up again, and play it again, man. Keep on rollin Pantera, jack. Read more Less

Pro Reviews: Cowboys from Hell

  • All Music Guide

    Pantera's breakthrough album, Cowboys from Hell, is largely driven by the band's powerful rhythm section and guitarist Diamond Darrell (as he was then known)'s unbelievably forceful riffing, which skittered around the downbeats to produce unexpected rhythmic phrases and accents, as well as his inventive soloing. Phil Anselmo displayed a vocal range that could switch from a growling shout to a high falsetto listen to him match Darrell's harmonic squeals at the end of "Cemetery Gates." The album gradually becomes more samesounding as it goes on, but the first half, featuring such brutal slices of thrash as "Psycho Holiday," "Primal Concrete Sledge," and the title track, pretty much carries its momentum all the way through.

    - Steve Huey, All Music Guide

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