Natalie Imbruglia - Counting Down the Days (CD)

All Music Guide

Arguably the best of the plethora of soapstars turned pop stars, Natalie Imbruglia appears to have performed a rather frustrating musical Uturn for her third album. Whereas her difficult but underrated sophomore effort understandably attempted to break away from the commercial acousticpop sound that saw "Torn" become one of the biggest singles of the 90s, Counting Down The Days actively embraces it. Whether this is a conscious decision to rekindle her former multiplatinum transatlantic success, or whether Imbruglia is just in a happier songwriting frame of mind, it's still a confusing and disappointing change in direction. For the bittersweet melancholy and dark undertones of White Lillies Island suggested an interesting career ahead. Yet only on a few occasions does Counting Down The Days veer into this territory. Instead, the majority is made up of fairly inoffensive radiofriendly pop songs such as opener "Starting Today" and the Eg Whiteproduced "Perfectly," both of which are little... more than "Torn" Mark Two. Even the presence of husband Daniel Johns, formerly of grunge outfit Silverchair, on production duties, can't save the Beatlesesque "Satisfied" from lapsing into blandness. But when Imbruglia is allowed to stray from this formula, she excels. "Shiver" is a charming and obvious lead single fully worthy of its huge airplay success; the title track with its chiming bells sounds like a lost Christmas classic and the brooding "Come On Home," with its chorus of "we can fall apart together" effortlessly manages to pull at the heartstrings. And as an artist, Imbruglia has never sounded better. The breathy Alanis imitations of her debut have now been replaced by understated but selfassured vocals that are able to convey intensity and warmth in equal measures. None more so than on the album's highlight, the Bjorkinfluenced "Honeycomb Child." With its enchanting mix of music boxes, violins and electronica, it sounds like it's appeared from a different record entirely and is proof that Imbruglia can pull off edgier material when she wants to. Counting Down The Days will undoubtedly be a commercial success but its playsafe attitude undoes some of the good work done by its predecessor. A few more risks next time wouldn't go amiss. - Jon O'Brien, All Music Guide Read more Less