John Mayer - Continuum

However, rather than his blues trio being a oneoff side project completely disconnected to his past work, it is clear now that it was the next step in his musical development. And truthfully, while Try certainly showcases Mayer's deft improvisational blues chops, it's more of a blues/soul album in the tradition of such electricblues legends as Jimi Hendrix and Stevie Ray Vaughan and features songs by Mayer that perfectly marry his melodic songcraft and his bluesslinger inclinations. In fact, what seemed at the time as a nod to his largely female fanbase by including "Daughters" and "Something's Missing" off Heavier Things, was actually a hint that he was bridging his sound for his listeners, showing them where he was going.

That said, nothing he did up until the excellent, expansive Try could have prepared you for the monumental creative leap forward that is Mayer's 2006 studio effort Continuum. Working with his blues trio rhythm section of bassist Pino Palladino and drummer Steve Jordan as well as guest spots by trumpeter Roy Hargrove and guitarist Ben Harper, Mayer brings all of his recent musical explorations and increasing talents as a singersongwriter to bear on Continuum. Produced solely by Mayer and Jordan, the album is a devastatingly accomplished, fullyrealized effort that in every way exceeds expectations and positions Mayer as one of the most relevant artists of his generation.

Adding weight to the notion that Mayer's blues trio was more than just a creative indulgence, he has carried over two tracks from the live album in "Vultures" and the deeply metaphorical soul ballad "Gravity". These are gutwrenchingly poignant songs that give voice to a generation of kids raised on TRL teen stars and CNN soundbytes who've found themselves all grown up and fighting a war of "beliefs". Grappling with a handful of topics some social and political, romantic and sexual, pointedly personal and yet always universal in scope, Mayer earns here a legitimate comparison to Marvin Gaye's What's Going On?. Nobody, not one of Mayer's contemporaries has come up with anything resembling a worthwhile antiwar anthem that is as good and speaks for their generation as much as his "Waiting For The World To Change" and he goes and hangs the whole album on it as the first single.

It's a bold statement of purpose that is carried throughout the album, not just in sentiment, but also tone. Continuum is a gorgeously produced, brilliantly strippedtobasics album that incorporates blues, softfunk, RB, folk and pop in a sound that is totally owned by Mayer. It's no stretch when trying to describe the sound of Continuum to color it in the light of work by such legends as Sting, Eric Clapton, Sade, Stevie Ray Vaughan and Steve Winwood. In fact, the sustained adultcontemporary tone of the album which could easily have become turgid, boring or dated never does and brings to mind such classic late '80s albums as Sting's Nothing Like The Sun, Clapton's Journeyman and Vaughan's In Step.