Shopping > Music > Paul Gonsalves > Cleopatra - Feelin' Jazzy

Paul Gonsalves - Cleopatra - Feelin' Jazzy

Cleopatra - Feelin' Jazzy
Pricing Not Available
Not Yet Rated 0 Ratings (0 Reviews)

Album Details: Cleopatra - Feelin' Jazzy

Release Date:08/01/1963
UPC:

Pro Reviews: Cleopatra - Feelin' Jazzy

  • All Music Guide

    Taking off from director Joseph Mankiewicz' messy celluloid interpretation of Shakespeare's +Antony and Cleopatra (DeMille took the first and best stab at it in 1934), tenor saxophonist Paul Gonsalves casts the Egyptian queen's life in a jazz set of originals and Alex North movie themes. One of just two dates Gonsalves did for Impulse and part of an all-too-thin solo catalog, Cleopatra -- Feelin' Jazzy finds the famed Ellington soloist in the prime company of hard boppers like pianist Hank Jones, organist Dick Hyman, guitarist Kenny Burrell, bassist George Duvivier, and drummer Roy Haynes. The band shines throughout, with Hyman's organ adding exotic film theater ambience on the two North cuts that kick off the album. Switching over to more straightforward fare, Gonsalves and company stretch out on Burrell's "Bluz for Liz" (read Elizabeth Taylor, one of the leads in the movie) and Ellington's "Action in Alexandria." The album's conceptual framework is maintained on standouts like "Cleo'...s Asp," Burrell's second piece here, and the Manny Albam blues ballad "Cleopatra's Lament." Gonsalves impresses with both complexly swinging solos and breathy ballad statements. A very fine effort by one of the unsung giants of jazz. - Stephen Cook, All Music Guide Read more Less

Rate & Write a Review: Cleopatra - Feelin' Jazzy

All fields marked with * are required
0 out of 5.0 stars
0 out of 5.0 stars
0 out of 5.0 stars
Maximum of 4,000 characters
Cancel

Rate & Write a Review: Cleopatra - Feelin' Jazzy

Thank You. Your review has been posted.
View your postClose

Biography

Paul Gonsalves

The greatest moment of Paul Gonsalves' musical career occurred at the 1956 Newport Jazz Festival when, to bridge the gap between "Diminuendo in Blue" and "Crescendo in Blue," Duke Ellington urged him to take a long solo, egging him on through 27 exciting choruses that almost caused a riot. That wellpublicized episode resulted in Ellington having a major "comeback," and ... Read more