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Beastie Boys - Check Your Head (CD)

Album Details: Check Your Head

Release Date:04/07/2009
Label:Capitol
UPC:077779893829

Track List: Check Your Head

  1. Jimmy James
  2. Funky Boss
  3. Pass The Mic
  4. Gratitude
  5. Lighten Up
  6. Finger Lickin' Good
  7. So What'cha Want
  8. The Biz Vs The Nuge
  9. Time For Livin'
  10. Something's Got To Give
  1. The Blue Nun
  2. Stand Together
  3. Pow
  4. The Maestro
  5. Groove Holmes
  6. Live At P.J.'s
  7. Mark On The Bus
  8. Professor Booty
  9. In 3's
  10. Namaste

Other Available Formats: Check Your Head

User Reviews: Check Your Head

  • Overall:

    Dont listen to no 1 till u hear it.

    By Yahoo! Shopping User  Jan 24, 2002

    The Beastie Boys are (or were) a much better group then most people give them credit for. I used to listen to them all the time when i was little. Its been a couple years and i just bought this album today (proabably for the 3rd time) an' im still fe...alin' it! Between rap and punk, they created there own sound. They represent NY to me. Listen to this or Pauls Boutique, or Ill Communication then judge them. PEACE! Read more Less

  • Overall:

    :I

    By Yahoo! Shopping User  Sep 29, 2001

    Disappointing after the genius of Pauls Boutique.
    Has a few gems in the form of So Watcha Want and Stand Together

Pro Reviews: Check Your Head

  • All Music Guide

    Check Your Head brought the Beastie Boys crashing back into the charts and into public consciousness, but that was only partially due to the album itself much of its initial success was due to the cult audience that Paul's Boutique cultivated in the years since its initial flop release, a group of fans whose minds were so thoroughly blown by that record, they couldn't wait to see what came next, and this helped the record debut in the Top Ten upon its April 1992 release. This audience, perhaps somewhat unsurprisingly, was a collegiate GenX audience raised on Licensed to Ill and ready for the Beastie Boys to guide them through college. As it happened, the Beasties had repositioned themselves as a lofi, altrock groove band. They had not abandoned rap, but it was no longer the foundation of their music, it was simply the most prominent in a thick popculture gumbo where old school rap sat comfortably with souljazz, hardcore punk, whitetrash metal, arena rock, Bob Dylan, bossa nova, spacy ...pop, and hard, dirty funk. What they did abandon was the psychedelic samples of Paul's Boutique, turning toward primitive grooves they played themselves, augmented by keyboardist Money Mark and coproducer Mario Caldato Jr.. This all means that music was the message and the rhymes, which had been pushed toward the forefront on both Licensed to Ill and Paul's Boutique, have been considerably deemphasized (only four songs "Jimmy James," "Pass the Mic," "Finger Lickin' Good," and "So What'cha Want" could hold their own lyrically among their previous work). This is not a detriment, because the focus is not on the words, it's on the music, mood, and even the newfound neohippie political consciousness. And Check Your Head is certainly a record that's greater than the sum of its parts individually, nearly all the tracks are good (the instrumentals sound good on their subsequent souljazz collection, The in Sound From Way Out), but it's the context and variety of styles that give Check Your Head its identity. It's how the old school raps give way to fuzztoned rockers, furious punk, and cheerfully gritty, jazzy jams. As much as Paul's Boutique, this is a whirlwind tour through the Beasties' popculture obsessions, but instead of spinning into Technicolor fantasies, it's earthbound D.I.Y. that makes it all seem equally accessible which is a big reason why it turned out to be an altrock touchstone of the '90s, something that both set trends and predicted them. Stephen Thomas Erlewine, All Music Guide Read more Less

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Biography

Beastie Boys

As the first white rap group of any importance, the Beastie Boys received the scorn of critics and strident hip-hop musicians, who accused them of cultural pirating, especially since they began as a hardcore punk group in 1981. But the Beasties weren't pirating -- they treated rap as part of a post-punk musical underground, where the do-it-yourself aesthetics of hip-hop... Read more