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Pink - Can't Take Me Home (CD)

Can't Take Me Home
$31.97
4.3 out of 5.0 stars 78 Ratings (84 Reviews)

Album Details: Can't Take Me Home

Release Date:04/04/2000
Label:Bmg Japan
UPC:4988017628263

Track List: Can't Take Me Home

  1. Split Personality
  2. Hell Wit Ya
  3. Most Girls
  4. There You Go
  5. You Make Me Sick
  6. Let Me Let You Know
  7. Love Is Such A Crazy Thing
  1. Private Show
  2. Can't Take Me Home
  3. Stop Falling
  4. Do What U Do
  5. Hiccup
  6. Is It Love

Other Available Formats: Can't Take Me Home

User Reviews: Can't Take Me Home

  • Overall:

    Lyrics:

    Music:

    Pink's Debut Album

    By shannon  Oct 6, 2006

    Pros: Hip Hop Beat throughout

    Cons: None

    This first album of Pink's has alittle bit of everything in it. Track 5 - You Make Me Sick is my favorite one on this album. You gotta listen to it!

  • Overall:

    Lyrics:

    Music:

    can't take me home

    By Andrea  Mar 29, 2005

    Pros: I could relate to every song.

    Cons: none

    This cd is so great. I love listening to it, in the morning, in the night, all the time.

Pro Reviews: Can't Take Me Home

  • All Music Guide

    It may be hard to listen to Pink's debut album Can't Take Me Home without hearing TLC, specifically their 1999 album Fanmail. After all, L.A. Reid and Babyface were the executive producers for both albums, and they decided to use a skittering, post-jungle rhythm for the bedrock of these savvy, club-ready dance-pop productions -- a sound exploited expertly on TLC's record. If Can't Take Me Home pales next to Fanmail, it's not Pink's fault, nor is it because the album is sub-par; it's simply because it follows in the footsteps of a record that's as close to a modern classic as contemporary soul gets. Judged as its own entity, Pink's debut is quite strong, even if it isn't perfect. The production is masterminded by Babyface and LA Reid, who oversee such producers as Kevin "She'kspere" Briggs, Terence "Tramp-Baby" Abney, Daryl Simmons, and Tricky (not to be confused with the dark trip-hop genius, of course), and throughout this album, their work sparkles, from the deft layers of drum machi...nes to the sultriness of the slow grooves. For the most part, Pink's performances match that production -- she may not be able to deliver ballads with assurance and soul just yet, but she never over-sings. She also not only has an appealing voice, but displays a fair amount of chops. So, with the production and performances in place, that leaves just the songs. While there are no bad cuts on Can't Take Me Home, there aren't any knock-out punches, either. They're all fairly well-crafted, but they're more ingratiating than immediate, and if dance-pop should be anything, it should be indelible upon at least the second listen, if not the first. Many of the songs on Can't Take Me Home need a few spins before they truly sink in, which is a bit unfortunate. Still, it's not the worst situation in the world, either, especially since a lot of the tunes actually do make an impression with repeated plays. So, Can't Take Me Home doesn't really escape many of the pitfalls of a debut, but thanks to LA Reid and Babyface's production and Pink's engaging talents, it's a promising first effort all the same. - Stephen Thomas Erlewine, All Music Guide Read more Less

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Biography

P!nk

Although she was initially viewed as yet another face in the late-'90s crowd of teen pop acts, Pink quickly showed signs of becoming one of the rare artists to transcend and outgrow the label. Born Alecia Moore on September 8, 1979, in Doylestown, PA (near Philadelphia), Pink received her nickname as a child (it had nothing to do with her later shade of hair dye). She g... Read more