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Ca Ira (Bonus Dvd) (Can)

Roger Waters - Ca Ira (Bonus Dvd) (Can)

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Track List: Ca Ira (Bonus Dvd) (Can)

Disc 1:

  1. Ça Ira/The Gathering StormDownload & Buy
  2. Ça Ira/OvertureDownload & Buy
  3. Ça Ira/Act 1. Scene 1. A Garden in Vienna 1765Download & Buy
  4. Ça Ira/Act 1. Scene 1. Madame Antoine, Madame Antoine...Download & Buy
  5. Ça Ira/Act 1. Scene 2. Kings, Sticks and BirdsDownload & Buy
  6. Ça Ira/Act 1. Scene 2. Honest Bird, Simple Bird...Download & Buy
  7. Ça Ira/Act 1. Scene 2. I Want to Be King...Download & Buy
  8. Ça Ira/Act 1. Scene 2. Let Us Break All the Shields...Download & Buy
  9. Ça Ira/Act 1. Scene 3. The Grievances of the PeopleDownload & Buy
  10. Ça Ira/Act 1. Scene 4. France in DisarrayDownload & Buy
  11. Ça Ira/Act 1. Scene 4. To Laugh Is to Know How to Live...Download & Buy
  12. Ça Ira/Act 1. Scene 4. Slavers, Landlords, Bigots at Your Door...Download & Buy
  13. Ça Ira/Act 1. Scene 5. The Fall of the BastilleDownload & Buy
  14. Ça Ira/Act 1. Scene 5. To Freeze in the Dead of Night...Download & Buy
  15. Ça Ira/Act 1. Scene 5. So to the Streets in the Pouring Rain...Download & Buy
  16. Ça Ira/Act 2. Scene 1. Dances and MarchesDownload & Buy
  17. Ça Ira/Act 2. Scene 1. Now Hear Ye! ...Download & Buy
  18. Ça Ira/Act 2. Scene 1. Flushed with Wine...Download & Buy
  19. Ça Ira/Act 2. Scene 2. The LetterDownload & Buy
  20. Ça Ira/Act 2. Scene 2. My Dear Cousin Bourbon of Spain...Download & Buy
  21. Ça Ira/Act 2. Scene 2. The Ship of State Is All at Sea...Download & Buy
  22. Ça Ira/Act 2. Scene 3. Silver, Sugar and IndigoDownload & Buy
  23. Ça Ira/Act 2. Scene 3. To the Windward Isles...Download & Buy
  24. Ça Ira/Act 2. Scene 4. The Papal EdictDownload & Buy
  25. Ça Ira/Act 2. Scene 4. In Paris There's a Rumble Under the Ground...Download & Buy

Disc 2:


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Album Details: Ca Ira (Bonus Dvd) (Can)

Release Date:
10/04/2005
Label:
Sbme Import
UPC:
746460867660

Pro Reviews: Ca Ira (Bonus Dvd) (Can)

EXPERT RATING:   

From AMG Reviews

Since the CD jewel box carries a sticker reading, "From the creator of The Dark Side of the Moon and The Wall," it is important to note at the outset that Roger Waters' Ça Ira is not a rock concept album or rock opera; indeed, it does not contain rock music at all. The music is best described as classical, played by a symphony orchestra and sung by opera singers. Nor does it contain an appearance by Waters as a performer. He is the composer, and he also coproduced the album. Ça Ira (the title "literally means ‘it will go'" in French, notes Waters, though he provides the subtitle "There Is Hope") has been described as an opera, but, at least on record, it might better be called an oratorio. The difference between the two, of course, has to do with staging and theatrical content. Based on a libretto by French songwriter Etienne RodaGil (though written in English without any of his actual words), Ça Ira is set during the first phase of the French Revolution, from the storming of the Bastille in 1789, to the executions of King Louis XVI and his queen, Marie Antoinette, in 1793. Although the stated purpose of the work is to celebrate the triumph of democracy over monarchy, the only distinct characters are the king and queen. Otherwise, the major characters are abstract or generic. There is a narrator, called the Ringmaster (since the staging calls for a circus setting), and other characters include the Troublemaker and a Revolutionary Priest. In this recording, the character distinctions are blurred further by the reduced number of performers. Bryn Terfel, for example, sings the parts of the Ringmaster, the Troublemaker, and the king, and sometimes he goes from one part to another without a break. Three different choirs also appear, one of them a childrens choir that sings in lower class British accents. This provides one of the few ties to Waters' earlier work one can easily imagine the children suddenly breaking into a chorus of "We don't need no education" from "Another Brick in the Wall Part II." They don't, however. Like other pop and rock musicians who have turned to classical music, such as Paul McCartney and Billy Joel, Waters turns out to have a fairly traditional idea of the form. Perhaps in aspiring to legitimacy, he has written a work that harks back to the Romantic movement of the eighteenth century, music that in some ways grew out of the French Revolution. And Ça Ira is certainly a legitimate classical composition. Whether it justifies its intentions is another question, however. If, as annotator Nick Segwick points out, the early years of the revolution have not been treated much in the arts, that may be because they involved so much turmoil and led directly not to liberty, but to the Reign of Terror. As Waters closes his work, he cannot help using the sound of a guillotine falling as a percussion device, and that means that if, as he says, there is hope, it must be only in the longterm sense.

- William Ruhlmann, All Music Guide



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Roger Waters was a primary creative force in Pink Floyd from 1965 to 1983. He first met Syd Barrett, who would become the band's lead singer and guitarist, during his school days when both attended a Saturday art class. He moved to London to study ar...Full Roger Waters Biography

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