Ashford & Simpson: Biography

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• Discography
• Biography
• Related Artists

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• Valerie Simpson
• The Pointer Sisters
• Gladys Knight
• Syreeta
• The Dynamic Superiors
• Peaches & Herb
• Chaka Khan

• Tammi Terrell
• Marvin Gaye
• Chuck Jackson
• Maxine Brown
• Ray Charles
• Carole King
• Holland-Dozier-Holland

• The Million Dollar Orchestra
• Norman Harris
• The Salsoul Orchestra
• Solange

• Harry Miller

• Nickolas Ashford

• Diana Ross & the Supremes
• Marvin Gaye & Tammi Terrell

Formed:

Jan 1, 1964 in NY

Genres:

Disco Music, R&B and Soul Music, Contemporary R&B Music, Rock Music

Decades Active:

1960's|1970's|1980's|1990's|2000's

Artistic Quality

Medium

Cultural Impact

Medium

Popularity

Medium

Ratings Guide

Nickolas Ashford (b. May 4, 1942, Fairfield, SC) and Valerie Simpson (b. Aug 26, 1946, New York City) have two careers, as songwriters and as performers, with the former seemingly more important than the latter until the mid-'80s. The two met in 1964 and scored their first songwriting hit in 1966 with Ray Charles' recording of their "Let's Go Get Stoned." After a period at Scepter Records, they moved to Motown, where they wrote hits for the duo of Marvin Gaye and Tammi Terrell ("Ain't Nothing Like the Real Thing," "You're All I Need to Get By"). When Diana Ross left the Supremes for a solo career, Ashford Simpson wrote "Reach Out and Touch Somebody's Hand" for her.

Their own performing career was launched in 1973 with Keep It Comin' on Motown and Gimme Something Real on Warner Bros. Their first success came in 1977 with the gold-selling Send It, which contained the Top Ten RB hit "Don't Cost You Nothing." Is It Still Good to Ya, a second gold album, contained the number two RB hit "It Seems to Hang On" in 1978. Stay Free, their third straight gold album, contained "Found a Cure," another RB smash that also made the Top 40 on the pop chart. A Musical Affair, in 1980, featured the hit "Love Don't Make It Right," but was not as successful as previous efforts.

Meanwhile, Ashford Simpson continued to work with other artists, scoring successes with Ross, Chaka Khan ("I'm Every Woman"), and Gladys Knight. Their own career saw a resurgence in 1984 with Solid, which went gold and produced the RB number one "Solid" (number 12 on the pop charts), "Outta the World," and "Babies." During the late '80s and '90s, Ashford Simpson continued to tour and record sporadically.

- William Ruhlmann, All Music Guide