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Zebda - Arene des Rumeurs (CD)

Arene des Rumeurs
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Album Details: Arene des Rumeurs

Release Date:01/01/1992
Label:Universal France
UPC:731451378720

Track List: Arene des Rumeurs

  1. Arabadub
  2. Baudis
  3. Mala Diural
  4. Minot Des Minorites
  5. CNN
  6. Singing
  7. Le Masque Au Rade
  1. La Bague A Daniele
  2. Le Miroir
  3. La france
  4. Mala Diural (A La Skabyle)
  5. Baionnettes
  6. D'Eve A Lise

Pro Reviews: Arene des Rumeurs

  • All Music Guide

    Zebda's debut album is a strong outing in the ska/hip-hop/ragga/rock vein characteristic of the Euro-mix by bands around the Mediterranean rim. Flavored by James Brown-style scratch rhythm guitar, lots of organ, and solid backbeat man Vincent Sauvage, the music provides a danceable backdrop for the vocal triumvirate of lyricist Magyd Cherfi, Moustaphe Amokrane, and Hakim Amokrane. "Arabadub" sports a very savvy arrangement with a funk-inflected bass line and the vocal focus ping-ponging between the declamatory Cherfi, who doesn't have much range but much to say, complemented by the higher-pitched backing vocals of the Amokrane brothers. "Mala Diural" is a traditional Algerian song, arranged by Zebda as basic blasting punk guitar riff and surging drums, with great chorus vocals and a little country bass slipped in. It's the only time the group sings in Arabic and it sounds like they had a lot of fun doing it, fall-apart ending and all -- so much so they do it again ska-style as "Mala Di...ural (À la Skabyle)." "Minot des Minorités" is more spacious with good organ, and the bouncy "Singing" is relatively complex but well-put together around nice organ and guitar melodies with stop times to set up the vocal tradeoffs. "Le Bague á Daniele" sneaks a little '50s RB flavor in among the upbeat skank and "La Masque au Rade" features a hard-to-figure chorus reference to George Bush, but the reggae track drags a little. The song peps up noticeably at the end, but Zebda also has a little trouble locking down the similarly down-tempo "Le Miroir" convincingly. "Baïonnettes" heavies things up with menacing vocals, bass line, and drums before the scratch guitar turns to thunderous riffing, while "D'Eve à Lise" is a moody, nine-minute extended dub workout that doesn't wear out its welcome. A good record by an excellent band, although the best introduction to Zebda is the Esan Ozenki compilation Le Bruit et L'Odeur, which features highlights from both L'Arêne des Rumeurs and the original Barclay France version of Le Bruit et L'Odeur. - Don Snowden, All Music Guide Read more Less

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Biography

Zebda

"We who live by rock and rai and accordion/On the periphery of commercial hits" is a line from Zebda's hometown portrait "Toulouse" and that's a pretty accurate capsule description of where the French band fronted by three second-generation North African immigrants fits among the Euro-mix crew. Rough-and-ready ragamuffin reggae and rapid-fire rapped vocals, Arabic flour... Read more