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Slipknot - All Hope Is Gone (CD)

Album Details: All Hope Is Gone

Release Date:04/18/2009
Label:Roadrunner Records
UPC:016861793821

Track List: All Hope Is Gone

  1. .Execute.
  2. Gematria (The Killing Name)
  3. Sulfur
  4. Psychosocial
  5. Dead Memories
  6. Vendetta
  1. Butcher's Hook
  2. Gehenna
  3. This Cold Black
  4. Wherein Lies Continue
  5. Snuff
  6. All Hope Is Gone

Other Available Formats: All Hope Is Gone

User Reviews: All Hope Is Gone

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    Slipknot Go Home on Fourth Album

    By Yahoo! Shopping User  Sep 4, 2008 | 0 out of 1 found this All Hope Is Gone review helpful

    Pros: A lot of this album sounds like the band's sophomore release, 'Iowa.'

    Cons: Some of the album sounds a lot like Stone Sour

    When Slipknot first broke through in the late 90's, the nine-man metal machine from Iowa was the biggest thing to hit the metal community. The band's sophomore release was just as much of a hit. But then, came the band's more mainstream t...hird release, aptly titled, 'Vol. 3.' That one came to very mixed reviews. That could have been thanks to the band's frontman, Corey Taylor, working with his other band, Stone Sour. It could ahve also been thanks to the band bringing on Rick Rubin to produce the album. Rubin has destroyed some of the best band in the music community. Now, on the band's fourth release, fans see Slipknot trying to regain the glory of 'Iowa', while still holding on to elements of 'Vol. 3' and Stone Sour's current pair of albums. The album opens with a blistering spoken word piece in "Execution." This is something that fans of both Stone Sour and Slipknot have come to expect on both band's releases. It heads into an equally blistering musical opening in the blatantly political, "Gematria." The adrenaline doesn't stop at the end of this one. It keeps flowing full throttle on "Sulfur." Fans of Stone Sour may find enjoyment out of the album's lead single, "Psychosocial." It sounds far more like something from Stone Sour than from Slipknot. On one hand, some would call songs like this growth. To others, though, it may cause a bit of concern. Thankfully, the band makes up for that track--among others--with the likes of "Vendetta", "Butcher's Hook", "This Cold Black", "Wherein Lies Continue", and the album's closer/title track. These tracks are absolutely brutal in their intensity. Lyrically, it's anyone's guess as to what [Corey] Taylor is thinking lyrically with most of his songs. Whether it is his spoken word type of material, or actual songs, Taylor's lyrics are always his own. If the combination of sounds on this album aren't enough to make some longtime fans wonder, the extended version may not be the best purchase either. All that it includes is a couple of bonus songs, and a remix of another song, along with a "Making of the album" special addition. Once you've seen a "making of" special, you've seen it. That kind of takes away the allure of having the extended edition of any album, including this one. To the band's defense, though, the band has made an album worth buying. It may cause some friction among the loyal maggot army, thanks to the mixture of high-intensity tracks and softer ones. But there are enough high-intensity songs to make up for the softer ones. That makes for an album that will encourage fans to buy the album, rather than download certain songs. In an age where downloading is killing CD sales, that is a big statement. So to all the maggots out there, this album proves that there is still hope for Slipknot on this, the band's new album. Read more Less

Pro Reviews: All Hope Is Gone

  • All Music Guide

    There comes a time in every band's life where they take off the masks and grow up then again, maybe not, as Slipknot has managed to dig deeper without ever shedding their grotesque veils. They're still wearing disguises but they have shed producer Rick Rubin, the metal legend who produced 2004's Vol. 3: The Subliminal Verses, giving the nonet just the slightest hint of broader horizons beyond their relentless aggression not enough for the band to crossover, but perhaps enough to earn grudging respect from listeners outside of metalheads. Of course, such respect is hardly granted to bands that wear monster maggot masks, so Slipknot's retreat to ugliness on their fourth album a move telegraphed heavily by the cheery title All Hope Is Gone isn't entirely surprising, nor is it unwelcome as this isn't a regression, it's more or less a consolidation of strengths. Certainly, the album gets off to a throttling start with "Gematria," a cluster of cacophony and for the longest time on All Ho...pe it seems as Slipknot will never let up on this pressure, as this is an onslaught of densely dark intricate riffs. So effective is this onslaught that when things do get a little softer a little later on, the album threatens to collapse like a soufflé, but that's only because the slower moments emphasize the group's odd tendency to sound like anonymous active rock when they untwist their rhythms and lay off on the double bass drums. Nowhere is this latent tendency for macho schmaltz more evident than on "Snuff," a stab at a power ballad that sounds disarmingly close to Nickelback, a bewildering incongruity that feels even stranger given the album's otherwise merciless attack. One more power ballad like this would be enough to derail the album, turning it into the crossover Vol. 3 never was despite Rubin's flourishes, but All Hope Is Gone as a whole winds up being as bleak and unforgiving as its title. - Stephen Thomas Erlewine, All Music Guide Read more Less

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Biography

Slipknot

Slipknot's mix of grinding, post-Korn alternative metal, Marilyn Manson-esque neo-shock rock, and rap-metal helped make them one of the most popular bands in the so-called nu metal explosion of the late '90s. But even more helpful was their theatrical, attention-grabbing (some critics said ridiculous) image: the band always performed in identical industrial jump suits a... Read more