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Chu Berry - 1937-1941 (CD)

1937-1941
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Album Details: 1937-1941

Release Date:04/07/1998
Label:Melodie Jazz Classic
UPC:3307517078421

Track List: 1937-1941

  1. Now You're Talking My Language
  2. Indiana
  3. Too Marvelous For Words
  4. Limehouse Blues
  5. Chuberry Jam
  6. Maelstrom
  7. My Secret Love Affair
  8. EbbTide
  9. Sittin' In
  10. Stardust
  1. Body & Soul
  2. Forty-Six West Fifty-Two
  3. Blowing Up A Breeze
  4. On The Sunny Side Of The Street
  5. Monday At Minton's (What's It To...
  6. Gee, Ain't I Good To You?
  7. Dream Girl-Part 1
  8. Dream Girl-Part 2
  9. Get Lost-Part 1
  10. Get Lost-Part 2

Pro Reviews: 1937-1941

  • All Music Guide

    One has to invest in a few discs to track down most of Chu Berry's recordings as a leader. And while some of his best sides are available from Commodore, there are still many cuts from throughout his career that have been hard to come by. Now, Classics has collected a good chunk of the tenor luminary's solo sides on this welcome collection -- in lieu of a badly needed and thorough retrospective that should include both solo material and tracks from Berry's numerous dates with Cab Calloway, Fletcher Henderson, Lionel Hampton, Billie Holiday, Dizzy Gillespie, and scores of other bandleaders and vocalists, this remains the best roundup available. Bookended by a 1937 session with his Stompy Stevedores and four 1941 sides featuring Charlie Ventura (including two alternate takes), this disc's main attraction has to be the eight numbers from Berry's respective 1938 and 1941 sessions with Roy Eldridge and Hot Lips Page. A solid collection that's perfect for newcomers. Now all we need is for th...e Smithsonian's music arm to resurrect its invaluable, multi-label reissue series, so Berry can finally get his due. - Stephen Cook, All Music Guide Read more Less

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Biography

Chu Berry

Chu Berry was considered one of the top tenor saxophonists of the 1930s, just below Coleman Hawkins (his main influence), Lester Young, and Ben Webster. Particularly strong on up-tempo numbers (although his ballad statements could be overly sentimental), Berry might have become an influential force if he had not died prematurely. After playing alto in college, he switch... Read more