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Eddie South - 1937-1941 (CD)

1937-1941
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Album Details: 1937-1941

Release Date:11/19/1996
Label:Melodie Jazz Classic
UPC:3307517073723

Track List: 1937-1941

  1. Fiddle Blues
  2. Interpretation Swing du premier ...
  3. Honeysuckle Rose
  4. On The Sunny Side Of The Street
  5. Black Gypsy
  6. Fiddleditty
  7. A Pretty Girl Is Like A Melody
  8. Hejre Kati
  9. Pardon, Madame!
  10. Zigeuner
  1. Praeludium
  2. Melodie In A
  3. Para viga me voy
  4. A La Cumparsita (The Masked One)
  5. Sighs And Tears
  6. I'm Out Of Style
  7. These Things You Left Me
  8. You Danced With Dynamite
  9. Oh Lady, Be Good
  10. Stompin' At The Savoy

Pro Reviews: 1937-1941

  • All Music Guide

    The 20 recordings on the 1937-1941 volume were cut variously in Paris during 1937; Hilversum, Holland, in 1938; and New York in 1940 and 1941. The French and Dutch recordings represent South's final European sessions before his return to the United States in 1938 -- that's Django Reinhardt strumming along on the two Parisian sides, "Fiddle Blues" and "Interpretation Sing du Premier Mouvement du Concerto en Re Mineur de Jean-Sebastien Bach-Part 2," with Stephane Grappelli joining him on violin. South's own quintet (including the extraordinarily sweet piano of David Martin) is featured on the four Hilversum sides, all of which -- "Honeysuckle Rose," "On the Sunny Side of the Street," the delightful "Fiddleditty," and the extraordinary "Black Gypsy," a track worthy of Jascha Heifetz -- are worth the price of this disc. South's New York-based Columbia and Okeh sides never sold as well as what he did for Swing, but they're equally worthwhile. The disc closes out with his hot rendition of "L...ady Be Good" and a mellow version of "Stompin' at the Savoy." - Bruce Eder, All Music Guide Read more Less

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Biography

Eddie South

One of the top violinists of the pre-bop era, Eddie South was a brilliant technician who, were it not for the universal racism of the time, would probably have been a top classical violinist. A child prodigy, South graduated from the Chicago Music College. Since classical positions were not open to black violinists in the 1920s, South learned to play jazz (helped out by... Read more