The Charleston Chasers - 1925-1930
Product Information
Track List: 1925-1930
- Red Hot Henry Brown
- Loud Speakin' Papa (You'd Better Speak Easy to Me)
- Someday, Sweetheart
- After You've Gone
- One Sweet Letter from You
- I'm Gonna Meet My Sweetie Now
- Farewell Blues
- Davenport Blues
- Wabash Blues
- My Gal Sal
- Delirium
- Five Pennies
- Sugar Foot Strut
- Imagination
- Feelin' No Pain
- My Melancholy Baby
- Mississippi Mud
- Ain't Misbehavin'
- Moanin' Low
- Red Hair and Freckles
- Lovable and Sweet
- What Wouldn't I Do for That Man!
- Turn On the Heat
- Cinderella Brown
- Sing You Sinners
More The Charleston Chasers CDs and Albums
Album Details: 1925-1930
- Release Date:
- 03/02/1999
- Label:
- Timeless Holland
- UPC:
- 8711458204033
Pro Reviews: 1925-1930
| EXPERT RATING: From AMG Reviews Nobody ever heard this group perform in front of the public, although each of the players had plenty of bandstand experience. The Charleston Chasers existed only as a studio recording ensemble, first as another way of saying Red Nichols and his Five Pennies, then as Columbia's allpurpose jazz machine. Nichols himself appeared on the 1927 and '28 recordings, while Miff Mole, stern emperor of the trombone, held everyone together over several years' worth of solid jazz, beginning in 1925 with Red Hot Henry Brown" and its flipside Loud Speakin' Papa". These sound like Bix Beiderbecke in all the right ways. Someday, Sweetheart" is a masterpiece of evenly paced group reflection. After You've Gone" is really a smoker There are wonderful moments with Joe Tarto (posthumously proclaimed Titan of the Tuba") and pianist Arthur Schutt, most notably on his own composition, Delirium". We're lucky to be able to savor the authentically pixilated personality of Pee Wee Russell, or the magnificence of the mighty Fud Livingstone, who's Red Hair And Freckles" is the definitive example of how this band sounded in 1929. The 14 instrumentals included in this package are by far the most satisfying of the lot. Jimmy Dorsey had much to do with that, as he and trumpeter Leo McConville pop up more often than anyone else. As for the singers: Kate Smith sounds surprisingly okay in 1927, hardly the flagdraped matron she later became. With a little cocaine she could've maybe done time as one of the dozenorso women whose voices went into the making of Betty Boop. The closest she ever got to being even remotely hip was on I'm Gonna Meet My Sweetie Now". Craig Leitch's vocal on Sugar Foot Strut" would have fit well with one of Harry Reser's gollygee ensembles. Leitch sounds like his ears stuck way out and he must have worn a tiny, checkered bow tie. Tentative vocalist Scrappy Lambert, backed by guitarist Carl Kress, sings about darkies" on the song Mississippi Mud". Bing Crosby also recorded this tune with Bix and Tram, and thought nothing of pronouncing the offensive word. (In later years some thoughtful individual replaced that racial slur with the generic term people". In fact people beat their feet" tripled the rhyme.) The best vocalist to sing with this band was Eva Taylor, wife of Clarence Williams. Her presence lends luster and charm to What Wouldn't I Do For That Man?" and Turn On The Heat". - arwulf arwulf, All Music Guide |
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The Charleston Chasers Biography
The Charleston Chasers was a name used for a series of recording groups during the 1925-1931 period and the jazz-oriented dance bands did not exist outside of the studios. The 1925 edition (which recorded two numbers) matched cornetist Leo McConville...Full The Charleston Chasers Biography
Compare New Prices: 1925-1930
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